The National Midnight Star #2087

Received: from yyz.com (temples@yyz.com [192.215.202.2]) by gremlin.studi.unizh.ch (8.8.5/8.8.8) with ESMTP id AAA29490 for <mtschann@studi.unizh.ch>; Thu, 20 Aug 1998 00:40:37 +0200 Received: (from temples@localhost) by yyz.com (8.8.5/8.8.5) id OAA15543 for rush-list-5; Wed, 19 Aug 1998 14:04:33 -0700 Date: Wed, 19 Aug 1998 14:04:33 -0700 Message-Id: <199808192104.OAA15543@yyz.com> Errors-To: rush-request@yyz.com Reply-To: rush@yyz.com Sender: rush@yyz.com Precedence: bulk From: rush@yyz.com To: rush_mailing_list@yyz.com Subject: 08/19/98 - The National Midnight Star #2087
** ____ __ ___ ____ ___ ___ ** ** / /_/ /_ /\ / /__/ / / / / /\ / /__/ / ** ** / / / /__ / \/ / / / / /__/ / \/ / / /___ ** ** ** ** __ ___ ____ ** ** /\ /\ / / \ /\ / / / _ /__/ / ** ** / \/ \ / /___/ / \/ / /___/ / / / ** ** ** ** ____ ____ ___ ___ ** ** /__ / /__/ /__/ ** ** ____/ / / / / \ ** List posting/followup: rush@tnms.com Administrative matters: rush-request@tnms.com or rush-mgr@tnms.com (Administrative postings to the posting address will be ignored!) ---------------------------------------------------------------------- The National Midnight Star, Number 2087 Wednesday, 19 Aug 1998 Today's Topics: Administrivia anyone hear this No cold fire???!!!! live album list too repetitive? rush trendy? Re: darn pentagram or whatever... Rush Merchandise for sale Headbanging (no subject) Syme/Neil/star re:Subject: Rush At Radio City Music Hall (1983). About the live album Red Star and Satanism TOOL: rivaling RUSH CTTH bashing bashing again pentagram power windows to brighten my pc y2k & the music industry mood music The Masked Rider NMS post You Can't Fight It/Fancy Dancer RUSH (1) Live CD set list; (2) fade-out songs live album Rush CD ROM CD Thoughts - (one reason that bootlegs are so popular) Songs dropped from the February, 1978 show New Rush Fans! CD-ROM vs Box Set Clearing a few things up... Y2K Subdivisions Rush section on new rock site (none) Rush CD anthology for $ale signals et al ---------------------------------------------------------- From: rush-mgr@tnms.com (The RUSH Fans Digest Manager) Date: Wed Aug 19 13:50:05 PDT 1998 Subject: Administrivia The track listing may not be as fixed as we first thought. Someone mailed me saying they have the promo sampler, and it contains "The Analog Kid" from the Montreal Counterparts show, and "The Pass" from the Seattle RTB show. Perhaps they're still adding and dropping songs, or perhaps they *were* intended for the live album, enough to make the promo, but dropped at the last minute. Only time will tell... - rush-mgr ---------------------------------------------------------- From: CChan82502@aol.com Date: Fri, 14 Aug 1998 18:59:17 EDT Subject: anyone hear this I was listening to a Buffalo radio station today and after Tom Sawyer the DJ said that there is a cd coming out of all Rush tunes played on classical instruments. He did not say if Rush was doing it or some other group but he said sometime this year. Anyone else hear this rumor? Also, I was disappointed with the exclusion of some songs especially since Tom Sawyer and Spirit are included again. It is a shame that nothing from Presto will be included, I was hoping for a couple of songs atleast. I was thinking that maybe the record company "encouraged" the boys to put more of the more popular songs on the cd. I don't know if this bothers anyone else but I hate when I put in a cd and find out it's less then an hour in length. You can get 75 minutes on a cd and I hate it when bands don't use all the available space. Rush is notorious for this and it seems to me there would be room on the live package to add one or two more songs just because they haven't used up the whole cd. If it's a studio release and a band does not have enough material they should through on some live cuts or interviews, something. Also, if you get a chance listen to the Matthew Good band, the Watchmen, Big Wreck, Moist, the Hip. they are all canadian bands and they all kick butt. Well those are my thoughts for the day. ---------------------------------------------------------- From: Todd Anello <tanello@netpluscom.com> Date: Fri, 14 Aug 1998 20:00:47 -0000 Subject: No cold fire???!!!! I just checked out the Set list for the new live almbum and can't believe they did not include Cold Fire. I thought that was one of the better songs from CP. I can see why they almost have to put Tom Sawyer on but some of the other songs that are repeats from previous live albums didn't need to be there. And people wonder why we collect bootlegs! Just my $.02 Todd ---------------------------------------------------------- From: denimking@juno.com (z z z) Date: Fri, 14 Aug 1998 18:51:48 -0500 Subject: live album list too repetitive? well craig, i must agree that rush should put more of the excellent, but lesser known songs on the new live album. personally, i probably wouldn't buy it if i couldn't get it for so cheap from BMG. but you never know, there might be remixes, variations, etc. of some of the songs. and i'm glad ...the heart hasn't stopped beating yet (hee hee, little play on words), it's a classic song that may never become unpopular, look at take another little piece (of my heart), stairway... and purple haze. those songs have been around longer than a lot of us and are still quite popular. just some thoughts adam "If at first you don't succeed, it's probably someone else's fault." ---------------------------------------------------------- From: denimking@juno.com (z z z) Date: Fri, 14 Aug 1998 18:38:03 -0500 Subject: rush trendy? i don't know about rush becoming trendy, but it would be neat to see. granted, they would eventually go out of style, but think of it this way. picture rush as a big wheel (as in someone important), and every time they're brought to people's attention by the media, they're just rolling through the peoples minds. what wheel rolls through something and doesn't get covered with whatever it rolls through? (i.e. mud, water), they're bound to expand their fan base, even if they don't last that long. even though bell-bottoms went out of style, people still wore them. and look what's happened, they're back!! they may be called flares, but a rose by any other name... adam "If at first you don't succeed, it's probably someone else's fault." ---------------------------------------------------------- From: denimking@juno.com (z z z) Date: Fri, 14 Aug 1998 19:15:58 -0500 Subject: Re: darn pentagram or whatever... (completely off the subject, but acknowledge this part anyway) what is that excerpt from the the breadman that fits perfectly with the sound of a line from bravado? i hope, elise, that i'm not "the other guy," but to get on with this. it depends on what you are associating the pentagram with. as everyone should know, depending on the subject, a symbol can have as different meanings as bear and bare. think of it as a "homovision" if you will. the symbols look alike, but mean different things. example: associating with - music, symbol - AC/DC, what it means (basically) - a band associating with - electricity, symbol - AC/DC , what it means - alternating current or direct current associating with - music, symbol - amp, what it means - power unit for elec. instrument (i.e. guitar) associating with - electricity, symbol - amp, what it means - unit of current i'm sure i just talked myself into a corner so i'll curl up into a ball and try to avoid any flames flying my way feel free to mock (or debate with) my poorly written rebuttal(?) adam "If at first you don't succeed, it's probably someone else's fault." ---------------------------------------------------------- From: Scott Neighbours <scottnbr@net-link.net> Date: Fri, 14 Aug 1998 20:30:39 -0400 Subject: Rush Merchandise for sale In conjunction with Amazon.com, the Neil Peart Picture Archive is now offering a wide variety of Rush related books, CD's, videos, and laser disks at good prices. There are some rare imports for sale along with a lot of other neat stuff. Check the stuff out at: http://members.tripod.com/~Neighbours/Peart Take care, Scott scottnbr@net-link.net ICQ#:15855074 ---------------------------------------------------------- From: SWEDGE@webtv.net (SCOTT WEDGE) Date: Fri, 14 Aug 1998 20:55:23 -0400 (EDT) Subject: Headbanging Heard a few of you mention "headbanging" to Rush songs lately. Maybe it's just me, but I can't listen to "Virtuality" without throwing my head up and down during the verses (listen to it and you'll see what I mean). The perfect Rush headbanging song, wouldn't you agree? (Of course this is NOT safe to do while driving!!...- "Well officer I can explain why this happened, you see I was listening to this Rush song, REALLY getting in to it, you know, and then that tree came out of nowhere, you see, and......") Scott Wedge - swedge@webtv.net Auburn University - WAR EAGLE!! "Put your message in a modem...." - RUSH ---------------------------------------------------------- From: jim <2112@spectranet.ca> Date: Fri, 14 Aug 1998 20:52:31 -0400 Subject: (no subject) I was hooked ever since Tom Sawyer! Now almost 18 years this band still satisfies all my musical desires. I love all sorts of music but no other band even comes close! Someone once told me that if RUSH put out a Disco or Country album I'd like it......I agreed! (Country music is like kissing my sister or drinking sour milk) I've always felt that RUSH was "My" band...goofy...yes but I'll bet most of you feel the same way! I'm thrilled to hear that a new live CD and CD ROM will be released soon, however in some ways I have mixed feelings. The gap between CDs is becoming longer and longer which is understandable given their age and priorities. With the tragic deaths in Neil's family I can't help but feel the end of RUSH is near. I'm afraid that the new releases are a bit of a cash grab.....I'll still be the first in line to buy them though!!!!!!!!!! Ever hear RUSH do "Not Fade Away"?............they've come a long way!!!! ---------------------------------------------------------- From: kwf22@webtv.net (Keith Filling) Date: Fri, 14 Aug 1998 21:01:03 -0400 (EDT) Subject: Syme/Neil/star Elise made some very good points in response to one of Ryan's many recent posts. Her statement that Neil is very perceptive got me thinking. The fact that Hugh Syme is mentioned as saying that Neil came up with the star (and probably knowing all about the "Royal Ushers of Satan's House" thing), could be that Neil was clearly thinking ahead... *Neil, smoking and pondering* "You know, we're rumoured to be a Satanic band...why not throw a pentacle into the mix? They'll be arguing about it for twenty years." If this was the case, he probably giggles his ass off every time he thinks about it. :) Don't ask me, I'm just improvising. Keith ---------------------------------------------------------- From: "Wayne Zuhl" <Waynbo@worldnet.att.net> Date: Fri, 14 Aug 1998 21:37:38 -0400 Subject: re:Subject: Rush At Radio City Music Hall (1983). >From: RVELEZ@webtv.net (ROBERT VELEZ) >Date: Thu, 13 Aug 1998 17:03:12 -0400 (EDT) >Subject: Rush At Radio City Music Hall (1983). > > Was anyone as fortunate as me to have seen Rush back in 1983 at >Radio City Music Hall in N.Y.C. ? They played (5) nights and previewed >3 songs from Signals which they had just completed but not released. >They were Subdivisions, New World Man, and The Analog Kid ( one of my >all-time favorites). >All of the shows sold out at $17.50 a pop and I went to the 1st, 3rd, & >last show. I had 10th row dead center for the last show and I remember >looking up at that beautiful domed ceiling in Radio City and feeling >that the Gods were truly looking down on me that night... > They played alot from Moving Pictures and the acoustics were >unbelievable in that venue. >I remember they ended with Vital Signs and its true what they say- the >song is amazing Live; >and I can still hear Geddy's voice echoing through the hall "everybody >wants to deviate from the norm" over & over again like they didn't want >their New York experience to end... >BobbyV Sorry to disagree with you BobbyV, but, I too was at one of those shows (Friday September 23). The band was previewing songs from Grace Under Pressure, not Signals, and the songs they previewed were Distant Early Warning, The Body Electric and Red Sector A, which Geddy announced would be the title of the new album. Other than that, you are basically correct. It was also my first Rush Concert, I've seen them at least once on every tour since then. Wayne "Waynbo" Zuhl Waynbo@worldnet.att.net ---------------------------------------------------------- From: "Mansueti" <mansueti@telcel.net.ve> Date: Fri, 14 Aug 1998 21:48:47 -0400 Subject: About the live album Hello to all Rush fans out there! I should say that, I'm not very happy with the forthcoming live album. I really hate the idea of not including songs that every Rush fan would like to hear on a live record just to put new versions of song like Tom Sawyer, The Trees, The Spirit Of The Radio, Closer To the Heart, YYZ or Freewill, that I doubt will be better than the ones in the Exit...Stage Left album. Maybe in a concert video they could be in place and I would jump out of my seat, but not in another live record. Lets see, not a single song from Presto? I don't like that, Show Don't Tell and The Pass are terrific tracks and deserve to be there, just like Cold Fire (in my opinion one of the best songs of CP), Vital Signs, Ghost Of a Change, Half The World, at least the Prelude to Hemispheres and Analog Kid (one of my all time favorites). At least Limelight and Natural Science made it's way this time, and so did other songs I love like Dreamline, Animate, Stick It Out, Leave That Thing Alone or Test For Echo among others, but I'm still quite disappointed with the fact that we, the Rush fans, are going to get half of what we expected. When ESL was released I was expecting a live version of Limelign, but it wasn't there. By the time ASOH came out I expected the Fear Trilogy to be there, but they dropped The Weapon and it was a shame (and I felt also dissapointed with the version of Closer To The Heart). But this time there's way too many reasons to feel bad about and even though I'm gonna get a copy (did I mention that Rush is my favorite band?) righ now I'm not really excited about the live album. I'm sure, most of the fans, right now think (and feel) just like me. Bye Andrés ---------------------------------------------------------- From: Brian Robinson <brobinson_tpa@yahoo.com> Date: Fri, 14 Aug 1998 22:09:47 -0400 Subject: Red Star and Satanism Clearly the intent of the Red Star on the 2112 was meant to symbolize evil and repression. However, looking solely at the star and drawing the conclusion Rush supports evil and satanism is silly. One can not look at the Red Star without also looking at the image of the naked man. The naked man symbolizes freedom and innocence. The image of the naked man and the Red Star together conveys the true message of the album - that we must protect freedom and individuality FROM evil and corruption. ---------------------------------------------------------- From: LastGrtDay@aol.com Date: Fri, 14 Aug 1998 22:38:40 EDT Subject: TOOL: rivaling RUSH Ahoy fellow Rushians... I saw TOOL perform last night, August 13, at Red Rocks Amphitheater in Denver. And I must say that I believe that TOOL is one of the bands taking progressive rock into the next century. Fear not, my fellows, PROGRESSIVE ROCK IS NOT DEAD!!! Touching on the Dream Theater thread-- I don't like Dream Theater that much, I respect them all very greatly as musicians but I don't think they have the magic that Rush does..... but TOOL has that unique creativity that makes them so much more enjoyable to me... Can't really describe it without blabbing a lot so I wont. Danny Carey: DAMN!!!!!!!!!! I find his playing 100% more tasteful and solid than Mike Portnoy's... and I really like Portnoy's drumming. As far as a drummer on the scene today that would be Neil Peart's "heir" I would say Danny Carey would be. So, if TOOL is coming to your neck of the woods soon, I recommend you get tickets and check them out. Sure, they're wierd, but they simply ROCK. That's all Peace Arbon Reimer ---------------------------------------------------------- From: Scott McDow <mcdow@ibm.net> Date: Fri, 14 Aug 1998 23:10:12 -0400 Subject: CTTH bashing Hey! I realize that there is quite a bit of disappointment regarding some repeats listed for the live set. Here is my opinion. Songs like closer to the heart have evolved so much over the years, I feel like they *need* to be there. Personally I'm looking for a counterparts tour version of ctth to be on DS, if only for the introductions by al. As the band has gone through different stages (pun intended), many of these song some fans are calling trite have evolved also. Personally, it wouldn't be a true rush live album without ts, ctth and tsor. Well, anyway, you wont hear any pissy gripes from me. :-) later, scoots ---------------------------------------------------------- From: Scott McDow <mcdow@ibm.net> Date: Fri, 14 Aug 1998 23:15:31 -0400 Subject: bashing again Meant to say this also. The album is titled *Different Stages*. How can you have and display different stages by only playing songs from four studio albums?!!? Maybe they should have titled the live album "Rush: Song's from our last four studio albums, oh yea and the analog kid too!" later, scoots (please read *some* sarcasm in the previous 2 posts) ---------------------------------------------------------- From: Scott McDow <mcdow@ibm.net> Date: Fri, 14 Aug 1998 23:29:33 -0400 Subject: pentagram Hey! Personally I think Neil put the red star on the front cover for two reasons: 1. To display the red star of the solar federation and 2. To help sell albums with the confusion of the demonic symbol. The boys knew if this album did not sell, then they were toast. There would be no other albums. Instead of changing their style for radio airplay, they sold their book for the cover. How much demonic content is there actually on 2112? None. I think the band paid for it later for having to defend their religous stance later, but it sold albums at the time, and they got to keep their musical integrity! later, scoots ---------------------------------------------------------- From: joelynch <joelynch@inreach.com> Date: Fri, 14 Aug 1998 23:29:15 -0700 Subject: power windows to brighten my pc I want to recommend the power windows website to everyone on the list who has a pc: http://www.2112.net/powerwindows/ Hanstones (hanstones@aol.com) has done a great job providing Rush desktop themes and a link to shareware to manage the themes for those who don't buy everything microsoft produces. (the Desktop Theme Software was easy to load and use, no problems found yet) Hanstones, thanks again! ---------------------------------------------------------- From: joelynch <joelynch@inreach.com> Date: Fri, 14 Aug 1998 23:52:07 -0700 Subject: y2k & the music industry This caught my eye from Dave (bytor@i1.net): > Assuming that Rush indeed still has any plans to release another studio > album (my personal opinion is that it won't happen), on the oft mentioned > date of January 1, 2000, I would have to say that if the Year 2000 computer > problems come to fruition as many have speculated, then the release would > have to be delayed. I know this is 16+ months away, but it has crossed my > mind. Anyone else feel like chiming in? Just my random thinks... This is a hot issue for the music retailing industry, just like most others. I work for one of the largest music distributors in the US and we have gone through significant efforts to achieve y2k compliance. For those who don't know what this is about, it's that in many systems, dates are stored like yymmdd, where yy is the last two characters of the year, mm is the month, and dd is the day. For example, as I type this, it is August 14, 1998. Systems at risk would store this as 980814. The problem comes up Jan.1, 2000 when the date would read 000101. Many computer systems interpret that as Jan. 1, 1900, causing automated programs using dates to have all sorts of problems. It's still somewhat early, but it's looking pretty good for major retailers/suppliers. A bigger issue may be with financial institutions: you may not be able to use your credit/debit card to buy the cd. A bigger issue may be the distribution mechanisms to get the album to stores on 1/1/2000. Besides being a holiday, Jan. 1, 2000 will be a Sunday. Traditionally in the US, new releases come out on Tuesdays, to allow for all music retailers a level playing field in selling the key new releases. Having a significant new release (the last several Rush albums peaked the first week of release) released on a Sunday, a holiday, when who knows what will be happening to the general economy because of y2k, sounds like a logisitical nightmare. I'm curious how it worked for Permanent Waves back in 1980 and would appreciate if anyone remembers how Polygram managed it. I know there are some others in the industry who get this- any comments? Offline is fine by me.... ---------------------------------------------------------- From: Lance2112@aol.com Date: Sat, 15 Aug 1998 04:58:13 EDT Subject: mood music [note to Rush mgr: I've never had a post go unprinted, I was a bit disappointed....am hoping that my changes might be acceptable. Or was it the drug reference?] [ Um, what *are* you talking about. I never saw your first post... : rush-mgr ] Aloha fellow Rushians! Just thought I would disengage lurker mode before it got permanently stuck and figured that my birthday (Aug 10) was as good a time as any to post something. Like most fans, Im eagerly anticipating the new live set and to answer the question as to which disc hits the CD player first? AFTK tour, without a doubt...but more on that later. I listen to a wide variety of music (it helps that I'm a DJ), but time and time again I find myself coming back to RUSH because of two simple reasons. First and foremost is the pure emotional response that it illicits in me, not to mention the images from my past that it seems to conjure up whenever a specific song comes on. Let me give you an example of mood enhancement. Sunday I was driving back from my mother's in Conroe back to my home in Houston, about an hour away. I popped in my cassette of Chronicles that was cued up at "A Farewell to Kings". During the acoustic guitar intro, I was driving out of the subdivision (no pun intended), filled with lush green trees along a golf course. Just as the tempo kicked in, I pulled out onto the feeder road and accellerated to get on the interstate. When the next song ("The Trees") came on, I was crusing thru the final thick patch of trees before hitting the urban sprawl of Houston. Of course, driving to "The Spirit of Radio" (IMHO the best concert opening song) "Red Barchetta" and "Limelight" was enjoyable as well, each causing the foot to get a little heavy on the gas pedal. Ultimately, what was an hour drive seemed like a mere 10 minutes! As for certain songs bringing back memories, at least half the RUSH library will take me back to a specific moment in time or a special place and most likely cause me to smile. Of course, a song like "Subdivisions" always makes me think of the dreaded HS experience, but others are not so obvious. When I listen to "Cygnus X-1", the ending where Geddy strains to sing "Every nerve is torn apaaaaaaaart!" ALWAYS reminds me of the time that my buddy Derek was giving me an atomic wedgie as I was going back upstairs to stop the tape (I was recording it at the time) just as Geddy was wailing and the song was almost over. I have to sit back and laugh that at the time I could have easily hit that high note right along with him....hehehe **POSSIBLE THREAD IDEA!** OK, so what RUSH song takes you back to a time or place that has absolutely no relation to the song whatsoever? I can't think of a weirder one for me, although "The Fountain of Lamneth" always conjures up images of a memorable mushroom trip, but we wont go there.... In the CD changer: RUSH - Freefall (bootleg) Plant/Page - Walking Into Clarksdale Genesis - Archives (disc 3) RUSH - Experience to Extremes (bootleg) Fleetwood Mac - The Dance ---------------------------------------------------------- From: Kenneth Cohen <kcohen@pharmacol.rochester.edu> Date: Sat, 15 Aug 1998 11:06:24 -0300 Subject: The Masked Rider I just got finished reading Neil Peart's book "The Masked Rider. " It is a must read for any RUSH fan. Anyone who loves Neil's lyrics will certainly love reading his book. It may be one of the greatest books ever written! Long live RUSH! - Ken Cohen kcohen@pharmacol.rochester.edu ---------------------------------------------------------- From: "eddy Maxwell" <eddymax@stcl.tamu.edu> Date: Sat, 15 Aug 1998 10:08:33 -0500 Subject: NMS post Hey! You had a question. I have an answer. Take it as you will. :) Cristobal wrote: > Hi, rushians, long time since i posted my last one, but all this time i > was wondering how would it be to write 2112 in roman numbers, and i > couldn't decide between MMCXII or XXIXII. > Maybe is just a pronunciation problem but anyway, can anybody help me? > thank you > Even though it's pronounced XXIXII or twenty-one twelve, the correct Roman numeral is MMCXII. Those crazy Romans! Valkyrie - "What do you want from life? What do you want from love? What do you want from me?"--Tommy Shaw ---------------------------------------------------------- From: John Gerard Lupoli <jglupoli@snet.net> Date: Sat, 15 Aug 1998 11:08:52 -0400 Subject: You Can't Fight It/Fancy Dancer Hey Rushians, I like to say thanks to Bob Baker who helped me get the lyrics for Not Fade Away for my site's lyric section. I also found the lyrics for Bad Boy. And I remember somebody once saying that it was a cover song of the Beatles but the Beatles used it as a cover song from somebody else. I found out who that somebody else was. It was Larry Williams. Anyway, I still need some help. I still need lyrics for You Can't Fight It (from the first single) and Fancy Dancer (from Electric Ladyland Studios.) I found out that the lyrics and music for You Can't Fight It were written by Geddy Lee and John Rutsey but I don't knwo what the lyrics are. I odn't know who wrote Fancy Dancer and I don't knwo the lyrics very much. I have the song on my By-Tor '74 cd and I can probably try to listen for the lyrics but I have trouble understanding what Geddy is saying. Can you guys help me out? Matt Lupoli Age: 14 North Haven, Ct http:// geocities.com/SunsetStrip/Amphitheatre/2740 ---------------------------------------------------------- From: Kenneth Cohen <kcohen@pharmacol.rochester.edu> Date: Sat, 15 Aug 1998 11:26:16 -0300 Subject: RUSH Does anyone know what education Neil, Alex, and Geddy have? --Ken Cohen kcohen@pharmacol.rochester.edu --Ken ---------------------------------------------------------- From: "Drs. Samuel A. and Marta P. Scott" <scott1@uswest.net> Date: Sat, 15 Aug 1998 12:14:11 -0600 Subject: (1) Live CD set list; (2) fade-out songs (1) LIVE SET LIST A lot of people are complaining about the live album set list, pointing to redundancy (TS, CTTH, Trees) at the expense of newer material (Ghost of a Chance, Double Agent), in particular the apparent omission of the ENTIRE Presto album. I tend to agree, especially regarding Presto. That was the first of the 4-album series following their last live release. It would have been highly appropriate to include material such as Show Don't Tell (a relatively major radio hit for Rush), The Pass, Superconductor, etc. I am also of the faction that considers Presto to be perhaps Rush's best modern studio release to date. However, I doubt the record company had anything to do with this, as some have suggested. Atlantic may be in charge of which cut is released as the lead-off single (as has been the case historically). They are in no such position to advise the members of Rush, their producer, or their recording team which material should be included on a live record. Rush's own preferences and the practical issue of which songs were captured best during performance are the principal factors governing which songs go all the way. Rush were probably not sufficiently satisfied with any of the live recordings of Double Agent or Show Don't Tell. This may well have been a joint decision with Paul Northfield, who is co-producer (with Geddy) and chief engineer. Would Geddy Lee default to Atlantic regarding the list of songs? I don't think so. He's probably not pleased with the fact that Presto is not represented at all on the live CD (very strange, indeed). He may also have particular reasons for including Tom Sawyer again. (Incidentally, Tom Sawyer has previously appeared on only ONE live album.) Perhaps he is retrospectively dissatisfied with that version, and/or the band felt they had simply captured a much better version of it at some point during the last two shows. The fact that the live CD is derived from only the last two tours (unfortunately; RTB was by far the best tour of the decade) is yet another limiting factor. By the time of the TFE tour, clearly they were in a retro frame of mind. They might still be. I must say that I do agree with the general disappointment expressed regarding the selected material. No, we don't want a third live rendition of CCTH. I am also mystified by their bland reliance on "Dreamline" as the first song to play live and sure enough the first song on the live CD. They are not very adventurous in this respect. However, I think this stems largely from the recording quality of the material they had to work with, not their record company's preferences. (2) FADE-OUT SONGS "While I realize the boyz fade some songs and abruptly end others for reasons unknown to us, but does anyone else believe "Available Light" should have ended with Geddy only with the final "In the Available Light......." The music should have stopped with Ged singing that last line. Talk about shivers!" I think that Rush makes excellent use of fade-outs, and this particular song is a great example. It gives one the sense that the song never really ends, and could perhaps be sustained indefinitely, providing a subtle vehicle for some great instrumental (and vocal) virtuosity. In fact, I am somewhat disappointed that Rush has moved considerably away from outros, particularly on Test For Echo (note that Rush's most celebrated songs nearly all feature fade-outs). Sincerely, Sam Scott scott1@ne.uswest.net ---------------------------------------------------------- From: Andy <aMachin@bigfoot.com> Date: Sat, 15 Aug 98 17:57:03 GMT Subject: live album Hi people, Good to hear that the new live album is going to be a 3 cd set. The more the better eh. Anyways, any news on a British release date. Is there REALLY going to be a cd-rom at some point? Thanks. Andy. http://members.tripod.com/~speedway_3/index.html http://www.escalix.com/freepage/speedway/ ICQ 17131726 ---------------------------------------------------------- From: Art Brown <artbrown@naxs.com> Date: Sat, 15 Aug 1998 14:56:30 -0400 Subject: Rush CD ROM I'm so excited about all the new Rush stuff coming out. Do we know if the CD ROM might be included with the live album, or will it be a separate product? Just curious... All I can say is PLEASE let it be Mac compatible. (Someone said a while back that Geddy likes Macs) Also...does anyone have any Rush Macintosh desktop icons, patterns or screensavers available? Mail me if you do. About the live album...will anyone be a little disappointed if some of the tracks are from the same concert as a popular boot (Animated for example). I think it's kind of like finding your Christmas presents hidden in your parent's closet. Oh yeah: My most embarrassing album is an LP of Buckner and Garcia's "Pac-Man Fever" (boy - as a 4th grader in 1982, it was 100 percent whoop-ass back then) Take care everyone :) Art in my CD player: 1. Animated Disk 2 2. Cowboy Junkies "Miles From Our Home" 3. Crowded House "Recurring Dream" ---------------------------------------------------------- From: "Chris Muller" <bytor@ao.net> Date: Sat, 15 Aug 1998 17:06:56 -0400 Subject: CD Thoughts - (one reason that bootlegs are so popular) Well, I'm not surprised by many of the postings of disappointment over the song selections for the upcoming CD. It will be very frustrating to lose out on The Analog Kid (maybe) / Cold Fire / Double Agent / Show Don't Tell / The Pass / Vital Signs (from Rtb tour I assume) / Virtuality / Half The World / Time and Motion / Superconductor / Ghost of a Chance / Where's My Thing?......and all at the expense of another Tom Sawyer / Closer to the Heart / YYZ / The Trees, etc. The only way that I can see them justifying this, is that the sound of these tracks is so far superior to the sound on ESL.....which is quite plausible. Don't get me wrong; I loved ESL from the time it came out. But from a sound standpoint, it can't even compare to more recent recordings. Of course, in the past there have always been some disappointments in tracks that got lost somewhere. For ASOH - Middletown Dreams / Grand Designs / Afterimage / The Enemy Within / The Body Electric / Kid Gloves / Red Lenses / Between the Wheels / and almost all of SIGNALS. For ESL - The Camera Eye / Natural Science (we will finally get it) / Vital Signs / HEMISPHERES / Circumstances / A Farewell to Kings / Cygnus X-1 (Yeah! for the Hammersmith Odeon show!) Really, you have to go to bootlegs if you want live versions of many of these. Yes, it is difficult to please everybody - Rush would have to release a live album after every tour to really please us all. This is not to say that what they do release is not quality. Certainly all of their live albums kick ass in some aspect. For this reason, I am awaiting the new with anticipation. Chris Muller bytor@ao.net P.S. If you are in the Orlando, FL area - my band, Aura Djinn, will be playing some Rush covers (along with 90% original material) at our CD release party. We will be playing August 21 at the Hard Rock Cafe (Orlando) at 10 p.m. Our CD is very original, but we all took influence from Rush growing up. We play YYZ, Subdivisions, and The Trees regularly at our shows. What should we choose to play for this gig?? ---------------------------------------------------------- From: Hanstones@aol.com Date: Sat, 15 Aug 1998 23:45:36 EDT Subject: Songs dropped from the February, 1978 show Now that the songlist for Disk 3 of "Different Stages" is known, I thought it was interesting noting which tunes they dropped from the actual show of February 19 or 20, 1978. After checking back to Erik Depoy's post in issue 2069, I found these songs were dropped from the show: Lakeside Park, Closer to the Heart, 2112 and the Drum Solo. The remaining disk order follows that of the show. Hanstones http://www.2112.net/powerwindows ---------------------------------------------------------- From: Tom Mueller <krynndm@execpc.com> Date: Sun, 16 Aug 1998 03:52:58 Subject: New Rush Fans! Hey team! About a month ago, I was looking for suggestions to help me ease my new girlfriend into Rush. Well, YYZ did the trick! She's a musician, and was very impressed by the song - especially Geddy's bass and the morse-code theme worked at either end of the tune. :] Turns out *she* is getting her little sister into Rush. Lil sis wants to use the morse-code "cool idea" in her original composition assignment (yes, she's also a music student). Huzzah!! And thanks to those who sent me replies! :D Just saw Small Soldiers- the film itself just has a muted 'Tom Sawyer' in the background in one scene... and it wasn't in the end titles either. :( Don't think I'll get the soundtrack for just one tune. Non-Rush: The Church play House of Blues in Chicago, Oct 1st. Yea!! Tom Mueller<krynndm@execpc.com> Milwaukee, WI "This new Cool Ranch flavor SCUBA air isn't very good." Tom Servo, 'Gorgo' ---------------------------------------------------------- From: Paul Alexander Bartlett <4pab@qsilver.queensu.ca> Date: Sun, 16 Aug 1998 13:29:39 -0400 Subject: CD-ROM vs Box Set I don't like the idea of a box set with the 'missing' live tracks, unless it is a box set of live tracks that haven't been released before. They have always stated that there are no unreleased tracks stored away, so it would only be repetition. I wouldn't mind a CD-ROM or CD-ROM set that covers their career, and that also has unreleased live versions of tracks such as Hemisphere's, Circumstances, The Camera Eye, Vital Signs, Analog Kid, Grand Designs.... FM (Toronto based band that opened for Rush in Toronto a couple of times) released an enhanced live album a couple of years ago that was mostly music, with video clips and band info. Better to do something like that than to milk long-time fans with a box set of mostly repetition. Paul Bartlett ---------------------------------------------------------- From: <NevrSilent@aol.com> Date: Sun, 16 Aug 1998 17:51:31 EDT Subject: Clearing a few things up... Okay, just a few things that come to mind as I was scrolling through recent issues of NMS... First the Signals album...Yes, most people regard it as a weak album, generally because of the dissatisfying production, and the overall regard that the record had too much of a "keyboard" slant in the writing and production. However, I think songwise, and especially lyric-wise, it's a very well written album, overall. In short, the songs themselves were quite good (I happen to feel "Losing It" it one of their most poetic pieces to date), but their treatment of the songs during recording lacked some luster... Second....oy, the problems we have with understanding this whole "Pentagram" thing and the 2112 Red Star...Ryan Waggoner's post overall had the message pretty close to right...(it's a symbol...and those who obsess with symbols are symbol-minded!)...however, like many X-tians, he once again made the mistake of claiming all Pentagrams evil, and I quote: Thirdly, it makes absolutely *no* difference which way the star is pointing...if it's made of 5 unbroken lines, and it's completely within a circle, it's "evil"...it it's pointing one way, it's considered satanic, and if it's pointing the other way, it's considered witchery (or whatever the word is I'm lookin' for...something to do with witches and witchcraft and Wicca and that crap...). I understand that many people tie Wiccan faith with witchcraft, but sorry to say, that's not entirely accurate...the word "witchcraft" is indeed very likely a bastardization of the word Wicca (meaning Wise one). However, Wicca promotes no evil whatsoever, unless you're the type of x-tian who's afraid of anyone else's beliefs beside your own. The upward facing Pentagram of Wiccan beliefs is a symbol that denotes no satanism OR evil intent whatsoever...moreso, it has to do with nature and the universe, etc. etc. ( I don't want to get into details here, for a Wiccan believer---which I am not---may have a better explanation for the "White Magic" Pentagram. Now, on the other hand, it IS generally regarded that the upside-down Pentagram is a symbol of satanic worship, or at the very least, what we regard as "Black Magic," But again, the "upside-down" one is actually just a perversion of the true Pentagram, which bears no evil symbolism. Basically, angry people who like to do nasty things use this little star as a symbolic explanation for why they do nasty things...which is essentially what most "adolescent" forms of "satanism" are really about. What does it have to do with the Red Star of 2112? Very little! Because of that (and before I go and prove that I too am too obsessed with "symbol- minded" behavior) I will shut up now! Greg NevrSilent@aol.com ---------------------------------------------------------- From: "Alex Smith" <bacchus@azstarnet.com> Date: Sun, 16 Aug 1998 15:51:06 -0700 Subject: Y2K <quote> Assuming that Rush indeed still has any plans to release another studio album (my personal opinion is that it won't happen), on the oft mentioned date of January 1, 2000, I would have to say that if the Year 2000 computer problems come to fruition as many have speculated, then the release would have to be delayed. I know this is 16+ months away, but it has crossed my mind. Anyone else feel like chiming in? </quote> Everyone thinks I'm a paranoid nutball (maybe I am), but on December 28, 1999, I'm vacating the city and heading for somewhere way the hell out in the middle of nowhere. Of course, along with my food and water, I'm bringing along all my music so that, if the world loses all electricity and civilization breaks down, we can still have Rush! Of course, I might want to bring a 10-year supply of batteries.... Anyone else out there as loony as I am about this? Alex Smith bacchus@azstarnet.com Subdivisions (Rush): http://www.azstarnet.com/~bacchus/rush/ "A man got a right to wonder A man got a right to dream Without looking over his shoulder To choose the manner of the life he leads One man's thoughts on another man's skin We are lover, warrior, magician kings." -Fish ---------------------------------------------------------- From: tranjan@trip.com.br (Ricardo Tranjan) Date: Sun, 16 Aug 1998 21:02:29 -0300 Subject: Subdivisions Hi, everybody I never wrote before but I found something very strange at http://cygnals.com/rush/subdivisions.html Does anybody know anything about this guy Mark Dailey saying subdivisions in the song ? later Fernando Tranjan "Any escape might help to smooth The unattractive truth" ---------------------------------------------------------- From: "Adrian Cagnani" <adrian@pocos-net.com.br> Date: Sun, 16 Aug 1998 22:26:24 -0300 Subject: Rush section on new rock site > >Hello fellow rushians. > >I´m Adrian from Brazil, and thought you would like to know that a new > >brazilian rock site has distinct sections for the most important bands (in > >their opinion), and an entire subdivision about Rush, with tablatures, > >lyrics, photos, etc. > >Try : > >http://www.whiplash.net/ > >. Adrian Cagnani ---------------------------------------------------------- From: rushfreak@juno.com (Aaron B Calder) Date: Sun, 16 Aug 1998 22:57:32 EDT Hey Rush-Freaks, Here's an addition to a rather old thread: Favorite TV Shows: The X-Files Red Dwarf The Simpsons Favorite Bands (In no particular order): Rush Dream Theater Fates Warning Shadow Gallery Enchant Metallica (Pre-Black Album) Genesis (Gabriel Era) Gentle Giant King Crimson Yes (70's Prog) Emerson, Lake, and Palmer If you know of any other bands I might like please drop me an E-mail, thanks, Aaron Calder "Cheating is the gift that man gives himself" -Montgomery Burns ---------------------------------------------------------- From: bj105cd@juno.com (B. J. Cook) Date: Mon, 17 Aug 1998 02:23:16 EDT Subject: Rush CD anthology for $ale Dear Rush Fans, I've decided to sell all my Rush CDs; in other words, all the Rush albums. The CDs, jewel cases and paperwork are in excellent condition. They are not the re-masters (which I plan to purchase later). If you would like a list of what I am selling, here it is: Rush/Rush Fly By Night Caress of Steel 2112 All the World's a Stage A Farewell to Kings Hemispheres Permanent Waves Moving Pictures Exit...Stage Left Signals Grace Under Pressure Power Windows Hold Your Fire A Show of Hands Presto Chronicles Roll the Bones Counterparts Test For Echo I am asking $225, or best offer. I will mail you the CDs in a protective CD case, with a nylon zippered shell. Please respond to me by e-mail. Thank you. Barry Sandy, UT ---------------------------------------------------------- From: "Keith Hurst" <keithh@psychology.leeds.ac.uk> Date: Mon, 17 Aug 1998 10:25:36 GMT Subject: signals et al In response to Mark's comments about Signals: Signals is without a doubt one of my favourite albums by Rush. I am interested that you [Mark] seem to consider the composition and playing to be excellent, as I feel that some of the work is, as you say, "second to none". For example, I would have to say Analog Kid and Digital Man. Anyway, this email is not supposed to be a list of what I like. Again, I would pose a question. Is the reason that many of us feel a great affinity with Signals due solely to it's musical content, or, is it tied up inexorably with the stage of life that many of us seem to have been at in 1983? It seems to me that the people who most like Signals were young teenagers when it was released, or when they first heard it. This reminds me of Neil's comments about Rush albums "being the sound track for peoples' lives". Is Signals so great to us, because it was the right record at the right time, if you were say, 15 years old? This interests me because we all know that music is subjective, but I find that I keep asking myself: is it the music, was it the time, or is it the interaction? The live CD. First, I thought Dimlit.....was a far better title, not least of which because it was witty. Secondly, I must support the views that I have been reading in the NMS, concerning the set listing. It seems sad that we are given CTTH, Xanadu etc AGAIN, at the expense of a wealth of material that many of us [especially in Europe?] have never had the chance to hear. I especially think that it is a great shame that Presto is conspicuous by its absence. Presumably, the listing is because Rush want the CD to represent a typical set, rather than acting as a "definitive" collection of live works? Ok, that's my view from the shed. Keith http://www.psyc.leeds.ac.uk/staff/HurstK/ ----------------------------------------------------------
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