The National Midnight Star #673

From temples@syrinx.umd.edu Mon May 3 21:00:11 1993 Return-Path: <temples@syrinx.umd.edu> Received: from syrinx.umd.edu by dsys.ncsl.nist.gov (4.1/NIST-dsys) id AA03823; Mon, 3 May 93 21:00:08 EDT Received: by syrinx.umd.edu (5.57/Ultrix2.4-C) id AA24722; Mon, 3 May 93 18:30:07 -0400 Date: Mon, 3 May 93 18:30:07 -0400 Message-Id: <9305032230.AA24722@syrinx.umd.edu> Errors-To: rush-request@syrinx.umd.edu Reply-To: rush@syrinx.umd.edu Sender: rush@syrinx.umd.edu Precedence: bulk From: rush@syrinx.umd.edu To: rush_mailing_list@syrinx.umd.edu Subject: 05/03/93 - The National Midnight Star #673 Status: R ** ____ __ ___ ____ ___ ___ ** ** / /_/ /_ /\ / /__/ / / / / /\ / /__/ / ** ** / / / /__ / \/ / / / / /__/ / \/ / / /___ ** ** ** ** __ ___ ____ ** ** /\ /\ / / \ /\ / / / _ /__/ / ** ** / \/ \ / /___/ / \/ / /___/ / / / ** ** ** ** ____ ____ ___ ___ ** ** /__ / /__/ /__/ ** ** ____/ / / / / \ ** List posting/followup: rush@syrinx.umd.edu Administrative matters: rush-request@syrinx.umd.edu or rush-mgr@syrinx.umd.edu (Administrative postings to the posting address will be ignored!) ---------------------------------------------------------------------- The National Midnight Star, Number 673 Monday, 3 May 1993 Today's Topics: Administrivia The Wal... Again. Musical challenges, Seeing Red A memo to a higher office Critical Mass Rush Unplugged. A few things... Hold Your Fire and Humanity Unplugged again Rush concert story/mis. MTV ...and a few replies "break-in" time with music.... Freewill vs. roll the bones break-ins, bootlegs, etc... Rush album cover posters Question about Caress of Steel TNMS membership distribution The text in the lyrics to 2112 Concert CD's a funny thing happened on the way to the market Presto! Rush A To Z -- The List Break-in period for new music THE TWILIGHT ZONE and Radar Detectors ---------------------------------------------------------- From: rush-mgr <The RUSH Fans Digest Manager> Date: Mon May 3 15:04:06 EDT 1993 Subject: Administrivia It seems that it's getting to be "that time of the year", when schools shut down and summer vacation begins (for those in the U.S. anyways!). If you are planning to be gone for a while and not have access to your account, please unsubscribe yourself before you leave! I don't want sysadmins mailing to me because their disk space is overflowing with NMS... Mail right around the day you want to be taken off, and when you get back you MUST send me mail to resubscribe; I can't keep track of everyone who wants back on once school starts up. This way things are much easier on me! And never fear, the NMS will still be running when you get back (unless all 1800+ readers decide to leave... :) - rush-mgr ---------------------------------------------------------- Date: Fri, 30 Apr 93 19:14:25 -0400 From: joseph paul mancewicz <jmance@engin.umich.edu> Subject: The Wal... Again. Well, now I have a question about the basses on Power Windows. I know that the Wal on Power Windows was the borrowed one and all that, but in the Mystic Rhythms video, you see Geedy playing a Steinberger. Now, I know it's just a video, and it may be for visual reasons why he used it, but could it be that he used the Steinberger AND the Wal? It may just be the mix, but the bass in Mystic Rhythms sounds a bit different than in The Big Money, so maybe... Just puzzled Joe Mancewicz jmance@engin.umich.edu ---------------------------------------------------------- Date: Fri, 30 Apr 93 17:32:41 HST From: deane@galileo.IFA.Hawaii.Edu (Kimo Kanaka De`ane) Subject: Musical challenges, Seeing Red Aloha, all. I would like to see an unplugged show, for the same reason that I think the bad would want to try one - it's a very different sound. I believe those who say "They'd have to change their sound, it wouldn't be Rush, their songs can't be acoustisized" are out of touch with the driving influence of the band, which is growth/evolution. Neil has said himself that he doesn't like to write like they used to (concept albums, older sound) because that was them then, and RTB is them now. I think they would find it a pleasant challenge to work in acoustic mode. And if you think that it would sound terrible and violate your sense of what is RUSH, listen to the new Layla by Clapton - if you like it, you'd like a RUSH unplugged set. If not, then that's a valid impression, just don't tune in when it's on. About Red Lenses - That whole album is very important to me, probably because of the time in my life I first heard it. I don't much like the idea of rating songs, since judgements are so subjective, but I like the sound on P/G. Geddy has said they went crazy on the guitars for that albumn, but I like the force they carry. It's an angst-ridden mood, and I think it goes with the ideas of the song as well. Sort of a list of trouble- some aspects of life. I like the baseline, the way the percussion hops all over your head with headphones, the way Alex's chords ring out hard, then die fast, and the xylophonic sound in the bridge (listening to it now - have to say again about Ged's baseline). Sorry to hear about your friend, Robert. I think it was a good choice, though I personally would have added Afterimage. Probably your pick was a better "first RUSH song" for the others, though. Clear Skies, Kimo ---------------------------------------------------------- Date: 01 May 93 00:49:08 EDT From: "Bill \"Haplo Peart\" RushFan(TM)" <71603.3600@CompuServe.COM> Subject: A memo to a higher office Hy, Haplopeart here again, Couple of matters to address today, Female RushFans(TM): I would love to meet a female rushfan as I have yet to do every female I meet has had a boyfriend that liked rush, so they now hate Rush, or put rush off as being too Hard, or to wierd or not being a normal enough Band, I guess they just can't see them for what they are and what they should be loved for, anyway I would like to meet one and see what makes her tick as I am sure it is a wonderful thing, She alreadlt likes the best band around, anytakers, email me at any of the addresses below and lets talk Rush dis-ing: Hear is another example of the bad treatment of Rush VH-1 video channel does this history of rock thing once in a while and plays songs a to z it seems to me a pretty good selection is reped there, except are boyz of course, i say a letter writting campaign is in order anyone with me E-mail me, RushFan get together: Ok, all you NorEast RushFans who just can't make this convention like me how about our own get together, what do you think, E-mail me, Latta, Haplopeart@aol.com Oversoul@aol.com 71603,3600@compuserve.com --"a Memo to a higher office, open letter to the pwers that be..."-- Long live Rush-Queen-Clapton-Extreme-Brian May-Nag Nag Nag-Journey ---------------------------------------------------------- Date: Sat, 1 May 93 00:17:12 CDT From: musrey@cfsmo.honeywell.com (Mike Usrey) Subject: Critical Mass CRITICAL MASS If that is in fact what they choose to call the new album, I can envision many examples of rush-esque word play. Example: A significant religious ceremony (critical mass) with an obese (critical mass) congregation in a nuclear reactor (critical mass). E-MAIL: musrey@cfsmo.honeywell.com VOICE: (612)957-4167 FAX: (612)957-4195 ---------------------------------------------------------- From: alecren@cs.umr.edu Subject: Rush Unplugged. Date: Sat, 1 May 93 1:33:08 CDT I have been quietly reading my NMS's lately and I have seen alot of discussion about Rush being on MTVs Unplugged. Forgive me if I am wrong but doesn't Rush have enough accoustical material to be able to fill up a half- hour to an hour? I personally would tune in just to see Neil perform his drum solo. Anyway all this aside usually (I haven't watched the program much but I have caught alot of the shows) The band is asked by the audience to perform certain numbers. My tapes of REM on unplugged all show the band taking requests from the audiences. Now I would think that you would have to have a group of really diehard fans that would know what songs were suitable to be played acoustically. My personal opinion is that the band would want to do it because they would have to mess around with most of their songs to get it to sound good for an acoustical performance. Just my .02 of a dollar later, Starfox -- Starfox | "Now is the time turn the tide, | Now is the time to fight." Andrew LeCren | -- Neil Peart alecren@cs.umr.edu | s112235@umrvma.umr.edu | "If you choose not to decide, | you still have made a choice." | -- Neil Peart ---------------------------------------------------------- From: "Michael J. Miller" <mumjm02@uxa.ecn.bgu.edu> Subject: A few things... Date: Fri, 30 Apr 93 23:58:09 CDT Greetings, Rushians! First, my comments on "Red Lenses": I do not like this song lyrically. I think it is much simpler than almost anything Neil has ever written, and it basically grates on my nerves. I felt this way about "Kid Gloves", too, but I find myself to like it more now than a few months ago. Second: I noticed that my sig was somewhat shredded on one end in the last issue. Rush-mgr: why? Everyone else with sigs: ever happen to you? [ The first line in your .sig is longer than 80 characters, so I simply placed a <return>. : rush-mgr ] Third, some things about black holes. I did a research paper on faster than light travel last year, and learned much about light and black holes. Nikos' comments were almost correct: Light actually _does_ have mass, however, it must be moving at the speed of light in order to have this mass. Also, a black hole is not a star with a large gravitational pull: it is a star that died and had such a huge gravitational pull that as it died, it sucked itself in on itself. A black hole, according to Steven Hawking, PhD in relative field, has _no_ dimensions whatsoever. It has no volume, yet infinite mass. Seem paradoxical? But true. Also, time would not have to slow down as one approaches a black hole. This is due to the fact that Realativity breaks down near places of infinte mass. It is realativity that would cause the slow-down and stopping of time. Fourth: Critical Mass. Someone (sorry, deleted that issue!) thought that it would be cool if the new album was reall Cygnus Book III. Well, if a star is to become a black hole, such as Cygnus X-I, it must not only burn at the right temperature, but also have the correct mass. Otherwise it will not have the sufficient gravity to create the black hole. Thus it could very well be possible that Critical Mass, if that does become the final title of the album, could be a return to the Books of Cygnus, perhaps dealing with the origins of the black hole of Cygnus X-I (add explosion sound...). Keep those poll votes coming! ******************************************************************************** RRR U U SSS H What you own is your own kingdom R U U S H What you do is your own glory R U U SSS HHH What you love is your own power R U U S H H What you live is your own story R UUU SSS H H "Something for Nothing", _2112_ Michael J. Miller, mumjm02@uxa.ecn.bgu.edu ******************************************************************************** ---------------------------------------------------------- Subject: Hold Your Fire and Humanity From: easy@west.darkside.com (Phil D. Croix) Date: Sat, 01 May 93 00:10:30 PDT Hello Rush trippers, I think that Hold Your Fire, as a whole album, is indeed about and concerning humanity. In this album Neil has exposed some of his most inner thoughts and perceptions, and they all deal with human emotions and nature. I love the way that 'fire' and light and brightness play a reoccuring role throughout the album. I think it was a conscious decision of the band to put "Mission" as the centerpiece of the record, as it is where the album title ties into the lyrics and one of Neils favorite themes (discovering your dreams,potential) is predominant in the words. I find now that for ME, Power Windows and Hold Your Fire are Rush's best work to date. I think that these two albums were the best produced, best written and best sounding of all.The Music of these albums is so diverse and sometimes complex, and it is like a meche of sounds that complements each other. Songs like Territories, Mystic Rhythms, Middletown dreams, Open secrets and Mission are so full and majestic! Yes, MAJESTIC, that's the word for it! When it comes to lyrics that work together like the gasses that form water, Neil has mastered it beautifully here. I find that his observations of contemporary society in Power Windows to be so very correct, true and undistorted. I admire his cynical pokes at popular cultures around the world, and his poetic way of acknowledging social disarray among nations and the world. It is a whole world view, big picture kind of thing on Power Windows. I think that Hold Your Fire is more introspective in its themes, kind of the opposite of the album before it. This album does indeed give us a look into the mind of one incredibly talented and balanced person. When I listen to the songs on HYF, I settle into Neils point of view so perfectly because he presents it so clear and well. Hearing the news that Peter Collins is a good possibility for the next album, I was and still am ecstatic! I see going further still in new directions and with the same team again, Rush will again reach a high point very soon. I am patiently waiting.........but isn't waiting most of the fun? Matt Van Horn Actual Rush Limbaugh listener ---------------------------------------------------------- Date: Sat, 1 May 93 03:02:18 CST From: A8732112@SIUCVMB.SIU.EDU Subject: Unplugged again I been reading a lot about the possibility(I know it's not but I can't think of another word for it)of playing Unplugged. There are several(2) SIDES to this point. Either you like it or you don't. I tend to think that it would be a challenge. And Rush is no stranger to a challenge. I heard on a bootleg from somewhwere the song Working Man done ala Reagge.(Not sure of dates This seems like a change in style!! Why not take the change to acoustic(sp). Just a thought. P.S. anyone know why the C.D. single with Marathon(live???) is so much $$$$$$ I see it occoasionaly and wonder who would dish out,I think it was $150. [ I think it's simply because it's very rare. The live song is from ASOH. : rush-mgr ] Anyone own it and want to express an opinion???? Matt"Living Life To Take Finals"Davis Par-Five, If swollowed, induce vomiting and seek the advice of a well trained physican!!!! ---------------------------------------------------------- Date: Sat, 01 May 93 06:38:54 PST From: John Dunn <DUNNJ@WSUVM1.CSC.WSU.EDU> Subject: Rush concert story/mis. A big howdy to everybody on TNMS!! I was supposed to go to the presto tour but things fell through at the last minute. But anyway to the story... A bunch of my best friends went to that concert in Seattle, WA. Well they decided to take one of their fathers $1000 cameras and sneak it into the concert. Well for those who arent in seattle when you go in there are two lines one has a patdown search and the other has a metal detector! Well my friends didnt know this and were in the line for the metal detector! And for some reason just out of the blue they moved to the line. Well one guy had the flash, one the zoom lense and the other the camera and they all had them in their crotches! So they had quite a nervous time at the patdown! Anyway they all got through and took about two rolls of film. when they got them back only about 4 pictures came out! But one picture that I am going to have blown up to a poster is of a close up of Neil during his drum solo cast in all blue light! It is so awsome! I would like to comment on kenneth bullock's post about classic rock stations that stink! I feel very sorry for you because it seems that you just havenot listened to a good station! I personally listen to a station out of Spokane Wa. (KKZX 98.9) and it is one of the best stations I have ever heard! I hear Rush at least 7-10 times a day and I have tried to keep track of the variety of songs...I think I have heard almost every Rush song at one time or another! And not to contridict what you posted to much they DO play new groups with the old rock type of sound mixed with the original classic rock! If you like anything from Rush to Beatles to Led Zepplin this is the station for you! But If you are one of those that doesnt like a variety or not a classic fan I would not suggest the station.*grin* One more thing...(well actually a question?) How many people think it would be cool to see a fully animated video to Red Barchetta? I personally think it would be really cool if it was put together right! (my apologies to the rush manager this is my first posting and I dont think I did these lines very well ie. number of characters per line etc. Again sorry about that!) Later yall john ---------------------------------------------------------- Date: Sat, 1 May 93 18:18:54 +0300 From: ngramm@eng.auth.gr (Nikos Grammalidis) Subject: MTV ...and a few replies Hi, I wish to reply to a few people. Certainly many interesting conversations are going on in the last few issues. About Rush Unplugged(in one sentence): I think that it is a great idea and I am sure that Rush can make it - I also agree that it will not be an easy task for them - but I don't think that MTV is willing to make it. To jeffrey r brinkman <brinkmaj@gas.uug.arizona.edu> and tcorcora@sunlab.cit.cornell.edu (Travis Corcoran) : Couldn't agree more with what you two said about MTV in TNMS 62. MTV is not interested in playing music with quality and meanings. It is only interested in having as many viewers as possible. This can only be achieved if it plays continuously music that is "trendy" and easy to hear. This is obviously not the kind of music what we like to hear... A solution may be smaller, alternative, rock-oriented TV-stations. Of course there aren't any such TV-stations in Greece but what about USA or Canada? To tcorcora@sunlab.cit.cornell.edu (Travis Corcoran): - Thanks for the correction and the info about Asimov. I didn't know that he died... (I'm sorry - RIP). - I agree that Red Lenses is not one of the best songs in GUP. - No you're not the only one. I sometimes want to hear a song or an album many times so that I can rate it properly. Also sometimes I start liking music which I have heard at the past ,without paying so much attention then. To Luis Arturo Loyo Delgado <LLOYO%VMTECQR2@OSSA.CCF.AUTH.GR> : Thanks for the The Arcane Rush Trivia file that you mailed to me. It's a great job and it's a great honour for me to see my $0.02 appear there. It's up to us to make it better (My fantasy is a Rush-database where any fan can find analysis and additional information about any Rush song that he wishes). The reason that I use TNMS to reply to you is that I'm afraid that my previous reply never reached you (there may be some problems with our Bitnet-Internet gateway here in Thessaloniki ) so please e-mail me telling me whether you have received any reply from me or not. "Attack the day as birds of prey", Nikos. =========================================================================== Nikos Grammalidis | Information Processing Laboratory (IPL) ngramm@vergina.eng.auth.gr | Aristotelian University Office # (031)-996359 | Thessaloniki , Macedonia Home # (031)-343207 | Greece =========================================================================== ---------------------------------------------------------- Date: Sat, 1 May 1993 12:32 EST From: AAWST3@vms.cis.pitt.edu Subject: "break-in" time with music.... Hi all! Travis Corcoran brought up a good point last issue, regarding the fact that it takes him a while to get used to/ really enjoy Rush. I feel the same way. In fact, I see a direct relationship between the amount of time it takes you to enjoy music and it's quality. (In some cases! No matter how long I listen to some music, I'll never like it!) What I mean is, like so much of "popular" music today is so simple, so superficial, for a reason. The masses can start loving it (and therefore start buying it) after only hearing it once or twice. This is because the songs are so shallow you can get all there is to get out of it in one listen. Rush is so much more complex, that after listening to it a few dozen times, you still discover new things about the songs. That complexity gives the songs a certain staying power. Ever notice how many trendy, simplistic, instant-success songs fade away into nothingness inv in a few short months? Man, what was so amazingly popular only a few short years ago couldn't ever be played by a "pop" radio station anymore. It's too old, too worn out. But ever notice how you can never get tired of hearing Limelight, or Hemispheres, or 2112? Because there's more to these songs than a simple steady driving beat that is the only requirement for a song to be popular today. Umm, I'd go on about this whole thing for a while more if I didn't think I was babbling, but I probably am, so why doesn't someone else jump in and tell Travis and me if we're off our rockers or what. Long Live Rush! :) ---------------------------------------------------------- From: prbarr@mail.wm.edu (Barrett Paul Robert) Date: 1 May 93 13:15:33 Subject: Freewill vs. roll the bones Has anyone ever noticed the difference in themes presented by Freewill and RtB? Freewill encourages taking control because everything is up to you, while RtB is very fatalitic. In RtB, it is up to fate what will happen and you just have to take your chances. It seems to me that maybe Niel has learned a few lessons in life. He started off thinking that it was Freewill, but now realizes a lot is not up to you and everything is up to fate. I don't know, just a thought -PRB "experience to extremes"-NP ---------------------------------------------------------- Date: Sat, 1 May 93 12:30:42 -0500 From: jtstrzyn@papaya.wustl.edu (Jeremy Todd Strzynski ) Subject: break-ins, bootlegs, etc... in reply to a number of people whose names elude me at the moment: the hypothetical unplugged playlist is very good but needs "Different Strings"; any claim that Neil was influenced by ayn rand cannot be overemphasized, as long as we are talking about the mid-seventies. just listen to the lyrics to "Anthem" (as well as the title) to see what i mean. as for HYF, Neil certainly retained his individualism, but it is also clear by that time he no longer subscribed to just one system of philosophical thought; he had his own, which was influenced by rand, not dominated. ("i placed no trust in a faith that was ready-made.") "Red Barchetta" the bootleg is worth buying, but keep in mind the songs from PeW/MP are rather standard performances. the show in montreal, may 1981, during the MP tour, and i believe sit is taken from a radio broadcast, but i'm sure the bootleg is the same show as "A New Reality", so don't get both. and lastly, i agree with whomever said they needed a break-in period. my first Rush album was a copy of HYF someone made me, but i never liked it when i popped it in, and hence never really listened to it. the first album i bought was Presto, which i had gotten used to because was mongo radio play of songs like "Chain Lightning", "The Pass", and SDT. at the same time, however, i was borrowing other people's Rush albums and listening, and gradually starting to like them, but again, it took time. later, after i was hooked, the first time i heard all of Signals, i despised the first side, save Subdivisions. now i love it, as well as everything else Rush has done. i guess Rush needs to be appreciated as much as loved, which is why it took time to love them. jeremy ---------------------------------------------------------- Subject: Rush album cover posters Date: Sat, 1 May 93 15:10:08 EDT From: Tom Heruska <Tom.Heruska@lambada.oit.unc.edu> I noticed the poll on favorite album covers, and I thought I would ask a related question. I hope this isn't in the FAQ. I don't have a copy handy . . . I'm extremely interested in obtaining at least one nice quality poster suitable for framing of one of the album covers. Preferably Moving Pictures, but I'll consider others. I have been looking around in the local stores, but it appears futile. So, does any one know where I could buy an album cover poster? I don't mind receiving it in the mail if I have to. I'm sure they are out there, I just don't know where to get them! [ You could try looking in "Goldmine" -- several places offer Rush posters (not always listed in their inventory). I came thiiiiis close to getting a MP poster, but the guy's cat tore it up... : rush-mgr ] Thanks in advance, -Tom ---------------------------------------------------------- Date: 01 May 1993 22:24:47 -0400 (EDT) From: AR4845@ARK.SHIP.EDU Subject: Question about Caress of Steel Dear fellow Rushians, Hi, I'm Alex Randall and I just joined a couple of days ago. I have a question for anybody that can answer it: On _Caress of Steel_, what do the words "Didacts" and "Narpets" mean? Thanks, Alex Randall Shippensburg University ---------------------------------------------------------- Date: 01 May 93 23:13:18 EDT From: Bruce Holtgren <70724.1622@CompuServe.COM> Subject: TNMS membership distribution Hello. This is my 28th post to TNMS. Sorry to be such a pest. Just thought that before 95 percent of the list vanishes for four months :), I'd update everyone on the geography survey (NOT a poll, god forbid!!) of a couple of weeks back. Thanks to everyone around the world for your responses, most notably that of Mike (CUBSFAN@OREAD.CC.UKANS.EDU), who for some strange reason my brain had filed under Illinois. Can't imagine why ... :) Anyway, for everyone's bragging purposes or whatever, the 1800 members of TNMS are scattered across, as near as I have been able to determine: * 8 provinces of Canada (NOT represented: Yukon, Northwest Territories, Saskatchewan, and Prince Edward Island); * 44 U.S. states (NOT represented: Alaska, Maine, North Dakota, South Dakota, Vermont, and Wyoming); * And 23 nations worldwide, including Canada and the U.S. Thanks, everyone, for all the hellos; good luck with finals; hope you all have a good summer; and here's counting the hours to Critical Mass time ... ORQ: The whole wide world An endless universe ... Bruce 70724.1622@compuserve.com ---------------------------------------------------------- Date: 02 May 93 21:13:21 EDT From: "Bill \"Haplo Peart\" RushFan(TM)" <71603.3600@CompuServe.COM> Subject: The text in the lyrics to 2112 Hy, I'm new around here so please forgive me if this is a dumb question. Who wrote the text passages that accompany the 2112 lyrics in the archives. Are those niel Pearts words or where they added by the person who did the transcribing of the lyrics? Please let me know 71603,3600@compuserve.com latta Me ---------------------------------------------------------- Date: Mon, 3 May 1993 00:04:23 -0400 (EDT) From: Ethan Evan Prater <prater@YALE.EDU> Subject: Concert CD's Is there any more news on whether the _Atmospheric_ CD set is a different show from the _Over the Europe_ CD set? Is _OtE_ not supposed to be from Holland in May 1992 anymore? Thanks a lot to anyone with any information. --Ethan -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- Ethan Evan Prater | "The sign of Eth is rising in the air..." | prater@yale.edu | -- Rush -- By-Tor and the Snow Dog -- -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- ---------------------------------------------------------- From: LAUGHREN DENNIS P <laughren@spot.Colorado.EDU> Subject: a funny thing happened on the way to the market Date: Mon, 3 May 93 1:00:20 MDT as my girlfriend and I made our way to the King Soopers down the block for a late night snack, we decided to take a shortcut, and cut through a gas station parking lot. Parked against a barrier was a late 70's CHevy van, completely covered in multicolored swirled astroturf. We stopped for a moment to admire the artistry of this paint-job, and my eyes wandered to the Illinois license plate, which read: "1 PEART" nuff said... rrrrrrrrrr uuuu uuuu sssssssss hhhh hhhh GREETINGS FROM COLORADO rrrrrrrrrr uuuu uuuu ssss hhhh hhhh THE HATE STATE! rrrr uuuu uuuu sssssssss hhhhhhhhhhh rrrr uuuu uuuu ssss hhhh hhhh "Ignorance and prejudice rrrr uuuuuuuuuuu sssssssss hhhh hhhh and fear walk hand in hand" ---------------------------------------------------------- Date: Fri, 30 Apr 93 17:29:17 -0400 From: Evil Super-Genius <snake!john@mccabe.mccabe.com> Subject: Presto! In descending order of triviality: (1) I'd like to hear people's thoughts about the song "Presto." I think it's a fantastic song; it lifts my spirits every time I hear it. But what the hell is it about? It seems that Neil's lyrics are more obscure than usual. "I radiate more heat than light" is one of the best lines he's penned; Neil's reminding us that there's more beneath the surface than we see, not only in others, but in ourselves, too. "I'm not one to believe in magic," he claims, but at the same time, he muses "if I could wave my magic wand." The contradiction is intentional, obviously; one interpretation: people are complex creatures, and, while we see contradiction from the outside, if we had the other person's perspective, the mutual exclusion might vanish (presto!) in a puff of emotion. Whaddy'all think? (2) My Hemispheres CD has a picture of Neil wearing a natty vest, on which is pinned a button. Any idea what the button says? _.__ _.__ __.. _.__ _.__ __.. _.__ _.__ __.. _.__ _.__ __.. _.__ _.__ __.. mccabe!john@uunet.uu.net ---------------------------------------------------------- From: manolias@frith.egr.msu.edu (George Manolias) Date: Mon, 3 May 1993 12:08:36 EDT Subject: Rush A To Z -- The List Many have asked about the playlist from WRIF in Detroit, the station which played all of Rush's songs two weeks ago. I finally got a copy of the list from the station, so here it is: No Title Album -- ----- ----- 1 A Farewell To Kings A Farewell To Kings 2 A Passage To Bangkok 2112 3 Afterimage Grace Under Pressure 4 Anagram (for Mongo) Presto 5 The Analog Kid Signals 6 Anthem Fly By Night 7 Available Light Presto 8 Bastille Day Caress Of Steel 9 Before And After Rush 10 Beneath, Between & Behind Fly By Night 11 Best I Can Fly By Night 12 Between The Wheels Grace Under Pressure 13 The Big Money Power Windows 14 The Big Wheel Roll The Bones 15 The Body Electric Grace Under Pressure 16 Bravado Roll The Bones 17 Broon's Bane Exit Stage Left 18 By-Tor And The Snow Dog Fly By Night 19 The Camera Eye Moving Pictures 20 Chain Lightning Presto 21 Chemistry Signals 22 Cinderella Man A Farewell To Kings 23 Circumstances Hemispheres 24 Closer To The Heart A Farewell To Kings 25 Countdown Signals 26 Cygnus X-1 A Farewell To Kings 27 Cygnus X-1 Book 2 Hemispheres 28 Different Strings Permanent Waves 29 Digital Man Signals 30 Distant Early Warning Grace Under Pressure 31 Dreamline Roll The Bones 32 Emotion Detector Power Windows 33 The Enemy Within Grace Under Pressure 34 Entre Nous Permanent Waves 35 Face Up Roll The Bones 36 Finding My Way Rush 37 Fly By Night Fly By Night 38 Force Ten Hold Your Fire 39 The Fountain Of Lamneth Caress Of Steel 40 Freewill Permanent Waves 41 Ghost Of A Chance Roll The Bones 42 Grand Designs Power Windows 43 Hand Over Fist Presto 44 Here Again Rush 45 Heresy Roll The Bones 46 High Water Hold Your Fire 47 I Think I'm Going Bald Caress Of Steel 48 In The End Fly By Night 49 In The Mood Rush 50 Jacob's Ladder Permanent Waves 51 Kid Gloves Grace Under Pressure 52 La Villa Strangiato Hemispheres 53 Lakeside Park Caress Of Steel 54 Lessons 2112 55 Limelight Moving Pictures 56 Lock And Key Hold Your Fire 57 Losing It Signals 58 Madrigal A Farewell To Kings 59 Making Memories Fly By Night 60 Manhattan Project Power Windows 61 Marathon Power Windows 62 Middletown Dreams Power Windows 63 Mission Hold Your Fire 64 Mystic Rhythms Power Windows 65 Natural Science Permanent Waves 66 The Necromancer Caress Of Steel 67 Need Some Love Rush 68 Neurotica Roll The Bones 69 New World Man Signals 70 Open Secrets Hold Your Fire 71 The Pass Presto 72 Presto Presto 73 Prime Mover Hold Your Fire 74 Red Barchetta Moving Pictures 75 Red Lenses Grace Under Pressure 76 Red Sector A Grace Under Pressure 77 Red Tide Presto 78 The Rhythm Method A Show Of Hands 79 Rivendell Fly By Night 80 Roll The Bones Roll The Bones 81 Scars Presto 82 Second Nature Hold Your Fire 83 Show Don't Tell Presto 84 Something For Nothing 2112 85 The Spirit Of Radio Permanent Waves 86 Subdivisions Signals 87 Superconductor Presto 88 Tai Shan Hold Your Fire 89 Take A Friend Rush 90 Tears 2112 91 Territories Power Windows 92 Time Stand Still Hold Your Fire 93 Tom Sawyer Moving Pictures 94 The Trees Hemispheres 95 Turn The Page Hold Your Fire 96 2112 2112 97 Twilight Zone 2112 98 Vital Signs Moving Pictures 99 War Paint Presto 100 The Weapon Signals 101 What You're Doing Rush 102 Where's My Thing Roll The Bones 103 Witch Hunt Moving Pictures 104 Working Man Rush 105 Xanadu A Farewell To Kings 106 Yyz Moving Pictures 107 You Bet Your Life Roll The Bones All The World's A Stage Exit Stage Left A Show Of Hands (List provided by WRIF, 101.1 FM Detroit, MI. Songs played 4/23/93) [ I bet this took a LONG time to play... :) : rush-mgr ] Enjoy! George ---------------------------------------------------------- Date: Mon, 3 May 93 13:34:26 -0400 From: rarcuri@itsmail1.hamilton.edu (Russ Arcuri) Subject: Break-in period for new music Hello Rush Fans- Travis Corcoran writes: >ObNewTopic: I need to get used to a lot of music before I like it. >This break in period is usually short, but w/ Rush, it is often a year >or longer. I only started to really appreciate HYF a year or so ago >(and I was a Rush fan long before the album came out, I went to the >concert,etc.) I'm starting to like RTB around now. Has anyone else >out there had a similar experience, or is it just me, and I should >take my lithium more often...? I have had the same experience - to a point. When HYF came out, I ran out and bought the CD immediately. I was so disappointed in it that I actually traded it in to a used record store after only a month. Looking back on it, I think I probably had that opinion of it because it was so dissimilar to my favorite Rush album at that time, Permanent Waves. Anyhow, I recently bought myself a new copy because I wanted to complete my Rush collection (only need 2 more...). Imagine my surprise when in just the past month it has become one of my favorite Rush albums - ranking up there with Permanent Waves, Moving Pictures, and Signals. I suppose I never really gave it a chance before, but it's shocking nonetheless. I guess what I learned from all this is not to EXPECT anything from a new Rush album - just take each on its own merits. I never had a "break-in" period for RTB, and it ranks near the top of my list. Russ Arcuri rarcuri@hamilton.edu ---------------------------------------------------------- Date: Mon, 03 May 1993 12:42:18 -0500 (CDT) From: "Life's a crap shoot...so ROLL THE BONES." <CLARKTODD@bvc.edu> Subject: THE TWILIGHT ZONE and Radar Detectors Everytime I take a road trip, I like to pop in good old 2112 in the cassette deck. About 2:32 into THE TWILIGHT ZONE on Side B, there is this squaling noise that makes me think the radar detector is going off! It's a great feeling, although unsettling. For about a second afterwards, my head is darting the countryside and putting the foot on the break. Todd Clark There are many fine police organizations in the world. the video butcher There is INTERPOL. There is Scotland Yard. But there clarktodd@bvc.edu are no finer men and women than those in the Nebraska State Patrol. - FTC 2 MAY 1993 ----------------------------------------------------------
To submit material to The National Midnight Star, send mail to: rush@syrinx.umd.edu For administrative matters (subscription, unsubscription, changes, and questions), send mail to: rush-request@syrinx.umd.edu or rush-mgr@syrinx.umd.edu There is now anonymous ftp access available on Syrinx. The network address to ftp to is: syrinx.umd.edu or 129.2.8.114 When you've connected, userid is "anonymous", password is <your userid>. Once you've successfully logged on, change directory (cd) to 'rush'. There is also a mail server available (for those unable or unwilling to ftp). For more info, send email with the subject line of HELP to: server@ingr.com These requests are processed nightly. Use a subject line of MESSAGE to send a note to the server keeper or to deposit a file into the archive. The contents of The National Midnight Star are solely the opinions and comments of the individual authors, and do not necessarily reflect the opinions of the authors' management, or the mailing list management. Copyright The Rush Fans Mailing List, 1993. Editor, The National Midnight Star (Rush Fans Mailing List) ******************************************** End of The National Midnight Star Number 673 ******************************************** From temples@syrinx.umd.edu Tue May 4 19:21:01 1993 Return-Path: <temples@syrinx.umd.edu> Received: from syrinx.umd.edu by dsys.ncsl.nist.gov (4.1/NIST-dsys) id AA05519; Tue, 4 May 93 19:20:58 EDT Received: by syrinx.umd.edu (5.57/Ultrix2.4-C) id AA03289; Tue, 4 May 93 18:30:07 -0400 Date: Tue, 4 May 93 18:30:07 -0400 Message-Id: <9305042230.AA03289@syrinx.umd.edu> Errors-To: rush-request@syrinx.umd.edu Reply-To: rush@syrinx.umd.edu Sender: rush@syrinx.umd.edu Precedence: bulk From: rush@syrinx.umd.edu To: rush_mailing_list@syrinx.umd.edu Subject: 05/03/93 - The National Midnight Star #673 Status: R
** ____ __ ___ ____ ___ ___ ** ** / /_/ /_ /\ / /__/ / / / / /\ / /__/ / ** ** / / / /__ / \/ / / / / /__/ / \/ / / /___ ** ** ** ** __ ___ ____ ** ** /\ /\ / / \ /\ / / / _ /__/ / ** ** / \/ \ / /___/ / \/ / /___/ / / / ** ** ** ** ____ ____ ___ ___ ** ** /__ / /__/ /__/ ** ** ____/ / / / / \ ** List posting/followup: rush@syrinx.umd.edu Administrative matters: rush-request@syrinx.umd.edu or rush-mgr@syrinx.umd.edu (Administrative postings to the posting address will be ignored!) ---------------------------------------------------------------------- The National Midnight Star, Number 673 Monday, 3 May 1993 Today's Topics: Administrivia The Wal... Again. Musical challenges, Seeing Red A memo to a higher office Critical Mass Rush Unplugged. A few things... Hold Your Fire and Humanity Unplugged again Rush concert story/mis. MTV ...and a few replies "break-in" time with music.... Freewill vs. roll the bones break-ins, bootlegs, etc... Rush album cover posters Question about Caress of Steel TNMS membership distribution The text in the lyrics to 2112 Concert CD's a funny thing happened on the way to the market Presto! Rush A To Z -- The List Break-in period for new music THE TWILIGHT ZONE and Radar Detectors ---------------------------------------------------------- From: rush-mgr <The RUSH Fans Digest Manager> Date: Mon May 3 15:04:06 EDT 1993 Subject: Administrivia It seems that it's getting to be "that time of the year", when schools shut down and summer vacation begins (for those in the U.S. anyways!). If you are planning to be gone for a while and not have access to your account, please unsubscribe yourself before you leave! I don't want sysadmins mailing to me because their disk space is overflowing with NMS... Mail right around the day you want to be taken off, and when you get back you MUST send me mail to resubscribe; I can't keep track of everyone who wants back on once school starts up. This way things are much easier on me! And never fear, the NMS will still be running when you get back (unless all 1800+ readers decide to leave... :) - rush-mgr ---------------------------------------------------------- Date: Fri, 30 Apr 93 19:14:25 -0400 From: joseph paul mancewicz <jmance@engin.umich.edu> Subject: The Wal... Again. Well, now I have a question about the basses on Power Windows. I know that the Wal on Power Windows was the borrowed one and all that, but in the Mystic Rhythms video, you see Geedy playing a Steinberger. Now, I know it's just a video, and it may be for visual reasons why he used it, but could it be that he used the Steinberger AND the Wal? It may just be the mix, but the bass in Mystic Rhythms sounds a bit different than in The Big Money, so maybe... Just puzzled Joe Mancewicz jmance@engin.umich.edu ---------------------------------------------------------- Date: Fri, 30 Apr 93 17:32:41 HST From: deane@galileo.IFA.Hawaii.Edu (Kimo Kanaka De`ane) Subject: Musical challenges, Seeing Red Aloha, all. I would like to see an unplugged show, for the same reason that I think the bad would want to try one - it's a very different sound. I believe those who say "They'd have to change their sound, it wouldn't be Rush, their songs can't be acoustisized" are out of touch with the driving influence of the band, which is growth/evolution. Neil has said himself that he doesn't like to write like they used to (concept albums, older sound) because that was them then, and RTB is them now. I think they would find it a pleasant challenge to work in acoustic mode. And if you think that it would sound terrible and violate your sense of what is RUSH, listen to the new Layla by Clapton - if you like it, you'd like a RUSH unplugged set. If not, then that's a valid impression, just don't tune in when it's on. About Red Lenses - That whole album is very important to me, probably because of the time in my life I first heard it. I don't much like the idea of rating songs, since judgements are so subjective, but I like the sound on P/G. Geddy has said they went crazy on the guitars for that albumn, but I like the force they carry. It's an angst-ridden mood, and I think it goes with the ideas of the song as well. Sort of a list of trouble- some aspects of life. I like the baseline, the way the percussion hops all over your head with headphones, the way Alex's chords ring out hard, then die fast, and the xylophonic sound in the bridge (listening to it now - have to say again about Ged's baseline). Sorry to hear about your friend, Robert. I think it was a good choice, though I personally would have added Afterimage. Probably your pick was a better "first RUSH song" for the others, though. Clear Skies, Kimo ---------------------------------------------------------- Date: 01 May 93 00:49:08 EDT From: "Bill \"Haplo Peart\" RushFan(TM)" <71603.3600@CompuServe.COM> Subject: A memo to a higher office Hy, Haplopeart here again, Couple of matters to address today, Female RushFans(TM): I would love to meet a female rushfan as I have yet to do every female I meet has had a boyfriend that liked rush, so they now hate Rush, or put rush off as being too Hard, or to wierd or not being a normal enough Band, I guess they just can't see them for what they are and what they should be loved for, anyway I would like to meet one and see what makes her tick as I am sure it is a wonderful thing, She alreadlt likes the best band around, anytakers, email me at any of the addresses below and lets talk Rush dis-ing: Hear is another example of the bad treatment of Rush VH-1 video channel does this history of rock thing once in a while and plays songs a to z it seems to me a pretty good selection is reped there, except are boyz of course, i say a letter writting campaign is in order anyone with me E-mail me, RushFan get together: Ok, all you NorEast RushFans who just can't make this convention like me how about our own get together, what do you think, E-mail me, Latta, Haplopeart@aol.com Oversoul@aol.com 71603,3600@compuserve.com --"a Memo to a higher office, open letter to the pwers that be..."-- Long live Rush-Queen-Clapton-Extreme-Brian May-Nag Nag Nag-Journey ---------------------------------------------------------- Date: Sat, 1 May 93 00:17:12 CDT From: musrey@cfsmo.honeywell.com (Mike Usrey) Subject: Critical Mass CRITICAL MASS If that is in fact what they choose to call the new album, I can envision many examples of rush-esque word play. Example: A significant religious ceremony (critical mass) with an obese (critical mass) congregation in a nuclear reactor (critical mass). E-MAIL: musrey@cfsmo.honeywell.com VOICE: (612)957-4167 FAX: (612)957-4195 ---------------------------------------------------------- From: alecren@cs.umr.edu Subject: Rush Unplugged. Date: Sat, 1 May 93 1:33:08 CDT I have been quietly reading my NMS's lately and I have seen alot of discussion about Rush being on MTVs Unplugged. Forgive me if I am wrong but doesn't Rush have enough accoustical material to be able to fill up a half- hour to an hour? I personally would tune in just to see Neil perform his drum solo. Anyway all this aside usually (I haven't watched the program much but I have caught alot of the shows) The band is asked by the audience to perform certain numbers. My tapes of REM on unplugged all show the band taking requests from the audiences. Now I would think that you would have to have a group of really diehard fans that would know what songs were suitable to be played acoustically. My personal opinion is that the band would want to do it because they would have to mess around with most of their songs to get it to sound good for an acoustical performance. Just my .02 of a dollar later, Starfox -- Starfox | "Now is the time turn the tide, | Now is the time to fight." Andrew LeCren | -- Neil Peart alecren@cs.umr.edu | s112235@umrvma.umr.edu | "If you choose not to decide, | you still have made a choice." | -- Neil Peart ---------------------------------------------------------- From: "Michael J. Miller" <mumjm02@uxa.ecn.bgu.edu> Subject: A few things... Date: Fri, 30 Apr 93 23:58:09 CDT Greetings, Rushians! First, my comments on "Red Lenses": I do not like this song lyrically. I think it is much simpler than almost anything Neil has ever written, and it basically grates on my nerves. I felt this way about "Kid Gloves", too, but I find myself to like it more now than a few months ago. Second: I noticed that my sig was somewhat shredded on one end in the last issue. Rush-mgr: why? Everyone else with sigs: ever happen to you? [ The first line in your .sig is longer than 80 characters, so I simply placed a <return>. : rush-mgr ] Third, some things about black holes. I did a research paper on faster than light travel last year, and learned much about light and black holes. Nikos' comments were almost correct: Light actually _does_ have mass, however, it must be moving at the speed of light in order to have this mass. Also, a black hole is not a star with a large gravitational pull: it is a star that died and had such a huge gravitational pull that as it died, it sucked itself in on itself. A black hole, according to Steven Hawking, PhD in relative field, has _no_ dimensions whatsoever. It has no volume, yet infinite mass. Seem paradoxical? But true. Also, time would not have to slow down as one approaches a black hole. This is due to the fact that Realativity breaks down near places of infinte mass. It is realativity that would cause the slow-down and stopping of time. Fourth: Critical Mass. Someone (sorry, deleted that issue!) thought that it would be cool if the new album was reall Cygnus Book III. Well, if a star is to become a black hole, such as Cygnus X-I, it must not only burn at the right temperature, but also have the correct mass. Otherwise it will not have the sufficient gravity to create the black hole. Thus it could very well be possible that Critical Mass, if that does become the final title of the album, could be a return to the Books of Cygnus, perhaps dealing with the origins of the black hole of Cygnus X-I (add explosion sound...). Keep those poll votes coming! ******************************************************************************** RRR U U SSS H What you own is your own kingdom R U U S H What you do is your own glory R U U SSS HHH What you love is your own power R U U S H H What you live is your own story R UUU SSS H H "Something for Nothing", _2112_ Michael J. Miller, mumjm02@uxa.ecn.bgu.edu ******************************************************************************** ---------------------------------------------------------- Subject: Hold Your Fire and Humanity From: easy@west.darkside.com (Phil D. Croix) Date: Sat, 01 May 93 00:10:30 PDT Hello Rush trippers, I think that Hold Your Fire, as a whole album, is indeed about and concerning humanity. In this album Neil has exposed some of his most inner thoughts and perceptions, and they all deal with human emotions and nature. I love the way that 'fire' and light and brightness play a reoccuring role throughout the album. I think it was a conscious decision of the band to put "Mission" as the centerpiece of the record, as it is where the album title ties into the lyrics and one of Neils favorite themes (discovering your dreams,potential) is predominant in the words. I find now that for ME, Power Windows and Hold Your Fire are Rush's best work to date. I think that these two albums were the best produced, best written and best sounding of all.The Music of these albums is so diverse and sometimes complex, and it is like a meche of sounds that complements each other. Songs like Territories, Mystic Rhythms, Middletown dreams, Open secrets and Mission are so full and majestic! Yes, MAJESTIC, that's the word for it! When it comes to lyrics that work together like the gasses that form water, Neil has mastered it beautifully here. I find that his observations of contemporary society in Power Windows to be so very correct, true and undistorted. I admire his cynical pokes at popular cultures around the world, and his poetic way of acknowledging social disarray among nations and the world. It is a whole world view, big picture kind of thing on Power Windows. I think that Hold Your Fire is more introspective in its themes, kind of the opposite of the album before it. This album does indeed give us a look into the mind of one incredibly talented and balanced person. When I listen to the songs on HYF, I settle into Neils point of view so perfectly because he presents it so clear and well. Hearing the news that Peter Collins is a good possibility for the next album, I was and still am ecstatic! I see going further still in new directions and with the same team again, Rush will again reach a high point very soon. I am patiently waiting.........but isn't waiting most of the fun? Matt Van Horn Actual Rush Limbaugh listener ---------------------------------------------------------- Date: Sat, 1 May 93 03:02:18 CST From: A8732112@SIUCVMB.SIU.EDU Subject: Unplugged again I been reading a lot about the possibility(I know it's not but I can't think of another word for it)of playing Unplugged. There are several(2) SIDES to this point. Either you like it or you don't. I tend to think that it would be a challenge. And Rush is no stranger to a challenge. I heard on a bootleg from somewhwere the song Working Man done ala Reagge.(Not sure of dates This seems like a change in style!! Why not take the change to acoustic(sp). Just a thought. P.S. anyone know why the C.D. single with Marathon(live???) is so much $$$$$$ I see it occoasionaly and wonder who would dish out,I think it was $150. [ I think it's simply because it's very rare. The live song is from ASOH. : rush-mgr ] Anyone own it and want to express an opinion???? Matt"Living Life To Take Finals"Davis Par-Five, If swollowed, induce vomiting and seek the advice of a well trained physican!!!! ---------------------------------------------------------- Date: Sat, 01 May 93 06:38:54 PST From: John Dunn <DUNNJ@WSUVM1.CSC.WSU.EDU> Subject: Rush concert story/mis. A big howdy to everybody on TNMS!! I was supposed to go to the presto tour but things fell through at the last minute. But anyway to the story... A bunch of my best friends went to that concert in Seattle, WA. Well they decided to take one of their fathers $1000 cameras and sneak it into the concert. Well for those who arent in seattle when you go in there are two lines one has a patdown search and the other has a metal detector! Well my friends didnt know this and were in the line for the metal detector! And for some reason just out of the blue they moved to the line. Well one guy had the flash, one the zoom lense and the other the camera and they all had them in their crotches! So they had quite a nervous time at the patdown! Anyway they all got through and took about two rolls of film. when they got them back only about 4 pictures came out! But one picture that I am going to have blown up to a poster is of a close up of Neil during his drum solo cast in all blue light! It is so awsome! I would like to comment on kenneth bullock's post about classic rock stations that stink! I feel very sorry for you because it seems that you just havenot listened to a good station! I personally listen to a station out of Spokane Wa. (KKZX 98.9) and it is one of the best stations I have ever heard! I hear Rush at least 7-10 times a day and I have tried to keep track of the variety of songs...I think I have heard almost every Rush song at one time or another! And not to contridict what you posted to much they DO play new groups with the old rock type of sound mixed with the original classic rock! If you like anything from Rush to Beatles to Led Zepplin this is the station for you! But If you are one of those that doesnt like a variety or not a classic fan I would not suggest the station.*grin* One more thing...(well actually a question?) How many people think it would be cool to see a fully animated video to Red Barchetta? I personally think it would be really cool if it was put together right! (my apologies to the rush manager this is my first posting and I dont think I did these lines very well ie. number of characters per line etc. Again sorry about that!) Later yall john ---------------------------------------------------------- Date: Sat, 1 May 93 18:18:54 +0300 From: ngramm@eng.auth.gr (Nikos Grammalidis) Subject: MTV ...and a few replies Hi, I wish to reply to a few people. Certainly many interesting conversations are going on in the last few issues. About Rush Unplugged(in one sentence): I think that it is a great idea and I am sure that Rush can make it - I also agree that it will not be an easy task for them - but I don't think that MTV is willing to make it. To jeffrey r brinkman <brinkmaj@gas.uug.arizona.edu> and tcorcora@sunlab.cit.cornell.edu (Travis Corcoran) : Couldn't agree more with what you two said about MTV in TNMS 62. MTV is not interested in playing music with quality and meanings. It is only interested in having as many viewers as possible. This can only be achieved if it plays continuously music that is "trendy" and easy to hear. This is obviously not the kind of music what we like to hear... A solution may be smaller, alternative, rock-oriented TV-stations. Of course there aren't any such TV-stations in Greece but what about USA or Canada? To tcorcora@sunlab.cit.cornell.edu (Travis Corcoran): - Thanks for the correction and the info about Asimov. I didn't know that he died... (I'm sorry - RIP). - I agree that Red Lenses is not one of the best songs in GUP. - No you're not the only one. I sometimes want to hear a song or an album many times so that I can rate it properly. Also sometimes I start liking music which I have heard at the past ,without paying so much attention then. To Luis Arturo Loyo Delgado <LLOYO%VMTECQR2@OSSA.CCF.AUTH.GR> : Thanks for the The Arcane Rush Trivia file that you mailed to me. It's a great job and it's a great honour for me to see my $0.02 appear there. It's up to us to make it better (My fantasy is a Rush-database where any fan can find analysis and additional information about any Rush song that he wishes). The reason that I use TNMS to reply to you is that I'm afraid that my previous reply never reached you (there may be some problems with our Bitnet-Internet gateway here in Thessaloniki ) so please e-mail me telling me whether you have received any reply from me or not. "Attack the day as birds of prey", Nikos. =========================================================================== Nikos Grammalidis | Information Processing Laboratory (IPL) ngramm@vergina.eng.auth.gr | Aristotelian University Office # (031)-996359 | Thessaloniki , Macedonia Home # (031)-343207 | Greece =========================================================================== ---------------------------------------------------------- Date: Sat, 1 May 1993 12:32 EST From: AAWST3@vms.cis.pitt.edu Subject: "break-in" time with music.... Hi all! Travis Corcoran brought up a good point last issue, regarding the fact that it takes him a while to get used to/ really enjoy Rush. I feel the same way. In fact, I see a direct relationship between the amount of time it takes you to enjoy music and it's quality. (In some cases! No matter how long I listen to some music, I'll never like it!) What I mean is, like so much of "popular" music today is so simple, so superficial, for a reason. The masses can start loving it (and therefore start buying it) after only hearing it once or twice. This is because the songs are so shallow you can get all there is to get out of it in one listen. Rush is so much more complex, that after listening to it a few dozen times, you still discover new things about the songs. That complexity gives the songs a certain staying power. Ever notice how many trendy, simplistic, instant-success songs fade away into nothingness inv in a few short months? Man, what was so amazingly popular only a few short years ago couldn't ever be played by a "pop" radio station anymore. It's too old, too worn out. But ever notice how you can never get tired of hearing Limelight, or Hemispheres, or 2112? Because there's more to these songs than a simple steady driving beat that is the only requirement for a song to be popular today. Umm, I'd go on about this whole thing for a while more if I didn't think I was babbling, but I probably am, so why doesn't someone else jump in and tell Travis and me if we're off our rockers or what. Long Live Rush! :) ---------------------------------------------------------- From: prbarr@mail.wm.edu (Barrett Paul Robert) Date: 1 May 93 13:15:33 Subject: Freewill vs. roll the bones Has anyone ever noticed the difference in themes presented by Freewill and RtB? Freewill encourages taking control because everything is up to you, while RtB is very fatalitic. In RtB, it is up to fate what will happen and you just have to take your chances. It seems to me that maybe Niel has learned a few lessons in life. He started off thinking that it was Freewill, but now realizes a lot is not up to you and everything is up to fate. I don't know, just a thought -PRB "experience to extremes"-NP ---------------------------------------------------------- Date: Sat, 1 May 93 12:30:42 -0500 From: jtstrzyn@papaya.wustl.edu (Jeremy Todd Strzynski ) Subject: break-ins, bootlegs, etc... in reply to a number of people whose names elude me at the moment: the hypothetical unplugged playlist is very good but needs "Different Strings"; any claim that Neil was influenced by ayn rand cannot be overemphasized, as long as we are talking about the mid-seventies. just listen to the lyrics to "Anthem" (as well as the title) to see what i mean. as for HYF, Neil certainly retained his individualism, but it is also clear by that time he no longer subscribed to just one system of philosophical thought; he had his own, which was influenced by rand, not dominated. ("i placed no trust in a faith that was ready-made.") "Red Barchetta" the bootleg is worth buying, but keep in mind the songs from PeW/MP are rather standard performances. the show in montreal, may 1981, during the MP tour, and i believe sit is taken from a radio broadcast, but i'm sure the bootleg is the same show as "A New Reality", so don't get both. and lastly, i agree with whomever said they needed a break-in period. my first Rush album was a copy of HYF someone made me, but i never liked it when i popped it in, and hence never really listened to it. the first album i bought was Presto, which i had gotten used to because was mongo radio play of songs like "Chain Lightning", "The Pass", and SDT. at the same time, however, i was borrowing other people's Rush albums and listening, and gradually starting to like them, but again, it took time. later, after i was hooked, the first time i heard all of Signals, i despised the first side, save Subdivisions. now i love it, as well as everything else Rush has done. i guess Rush needs to be appreciated as much as loved, which is why it took time to love them. jeremy ---------------------------------------------------------- Subject: Rush album cover posters Date: Sat, 1 May 93 15:10:08 EDT From: Tom Heruska <Tom.Heruska@lambada.oit.unc.edu> I noticed the poll on favorite album covers, and I thought I would ask a related question. I hope this isn't in the FAQ. I don't have a copy handy . . . I'm extremely interested in obtaining at least one nice quality poster suitable for framing of one of the album covers. Preferably Moving Pictures, but I'll consider others. I have been looking around in the local stores, but it appears futile. So, does any one know where I could buy an album cover poster? I don't mind receiving it in the mail if I have to. I'm sure they are out there, I just don't know where to get them! [ You could try looking in "Goldmine" -- several places offer Rush posters (not always listed in their inventory). I came thiiiiis close to getting a MP poster, but the guy's cat tore it up... : rush-mgr ] Thanks in advance, -Tom ---------------------------------------------------------- Date: 01 May 1993 22:24:47 -0400 (EDT) From: AR4845@ARK.SHIP.EDU Subject: Question about Caress of Steel Dear fellow Rushians, Hi, I'm Alex Randall and I just joined a couple of days ago. I have a question for anybody that can answer it: On _Caress of Steel_, what do the words "Didacts" and "Narpets" mean? Thanks, Alex Randall Shippensburg University ---------------------------------------------------------- Date: 01 May 93 23:13:18 EDT From: Bruce Holtgren <70724.1622@CompuServe.COM> Subject: TNMS membership distribution Hello. This is my 28th post to TNMS. Sorry to be such a pest. Just thought that before 95 percent of the list vanishes for four months :), I'd update everyone on the geography survey (NOT a poll, god forbid!!) of a couple of weeks back. Thanks to everyone around the world for your responses, most notably that of Mike (CUBSFAN@OREAD.CC.UKANS.EDU), who for some strange reason my brain had filed under Illinois. Can't imagine why ... :) Anyway, for everyone's bragging purposes or whatever, the 1800 members of TNMS are scattered across, as near as I have been able to determine: * 8 provinces of Canada (NOT represented: Yukon, Northwest Territories, Saskatchewan, and Prince Edward Island); * 44 U.S. states (NOT represented: Alaska, Maine, North Dakota, South Dakota, Vermont, and Wyoming); * And 23 nations worldwide, including Canada and the U.S. Thanks, everyone, for all the hellos; good luck with finals; hope you all have a good summer; and here's counting the hours to Critical Mass time ... ORQ: The whole wide world An endless universe ... Bruce 70724.1622@compuserve.com ---------------------------------------------------------- Date: 02 May 93 21:13:21 EDT From: "Bill \"Haplo Peart\" RushFan(TM)" <71603.3600@CompuServe.COM> Subject: The text in the lyrics to 2112 Hy, I'm new around here so please forgive me if this is a dumb question. Who wrote the text passages that accompany the 2112 lyrics in the archives. Are those niel Pearts words or where they added by the person who did the transcribing of the lyrics? Please let me know 71603,3600@compuserve.com latta Me ---------------------------------------------------------- Date: Mon, 3 May 1993 00:04:23 -0400 (EDT) From: Ethan Evan Prater <prater@YALE.EDU> Subject: Concert CD's Is there any more news on whether the _Atmospheric_ CD set is a different show from the _Over the Europe_ CD set? Is _OtE_ not supposed to be from Holland in May 1992 anymore? Thanks a lot to anyone with any information. --Ethan -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- Ethan Evan Prater | "The sign of Eth is rising in the air..." | prater@yale.edu | -- Rush -- By-Tor and the Snow Dog -- -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- ---------------------------------------------------------- From: LAUGHREN DENNIS P <laughren@spot.Colorado.EDU> Subject: a funny thing happened on the way to the market Date: Mon, 3 May 93 1:00:20 MDT as my girlfriend and I made our way to the King Soopers down the block for a late night snack, we decided to take a shortcut, and cut through a gas station parking lot. Parked against a barrier was a late 70's CHevy van, completely covered in multicolored swirled astroturf. We stopped for a moment to admire the artistry of this paint-job, and my eyes wandered to the Illinois license plate, which read: "1 PEART" nuff said... rrrrrrrrrr uuuu uuuu sssssssss hhhh hhhh GREETINGS FROM COLORADO rrrrrrrrrr uuuu uuuu ssss hhhh hhhh THE HATE STATE! rrrr uuuu uuuu sssssssss hhhhhhhhhhh rrrr uuuu uuuu ssss hhhh hhhh "Ignorance and prejudice rrrr uuuuuuuuuuu sssssssss hhhh hhhh and fear walk hand in hand" ---------------------------------------------------------- Date: Fri, 30 Apr 93 17:29:17 -0400 From: Evil Super-Genius <snake!john@mccabe.mccabe.com> Subject: Presto! In descending order of triviality: (1) I'd like to hear people's thoughts about the song "Presto." I think it's a fantastic song; it lifts my spirits every time I hear it. But what the hell is it about? It seems that Neil's lyrics are more obscure than usual. "I radiate more heat than light" is one of the best lines he's penned; Neil's reminding us that there's more beneath the surface than we see, not only in others, but in ourselves, too. "I'm not one to believe in magic," he claims, but at the same time, he muses "if I could wave my magic wand." The contradiction is intentional, obviously; one interpretation: people are complex creatures, and, while we see contradiction from the outside, if we had the other person's perspective, the mutual exclusion might vanish (presto!) in a puff of emotion. Whaddy'all think? (2) My Hemispheres CD has a picture of Neil wearing a natty vest, on which is pinned a button. Any idea what the button says? _.__ _.__ __.. _.__ _.__ __.. _.__ _.__ __.. _.__ _.__ __.. _.__ _.__ __.. mccabe!john@uunet.uu.net ---------------------------------------------------------- From: manolias@frith.egr.msu.edu (George Manolias) Date: Mon, 3 May 1993 12:08:36 EDT Subject: Rush A To Z -- The List Many have asked about the playlist from WRIF in Detroit, the station which played all of Rush's songs two weeks ago. I finally got a copy of the list from the station, so here it is: No Title Album -- ----- ----- 1 A Farewell To Kings A Farewell To Kings 2 A Passage To Bangkok 2112 3 Afterimage Grace Under Pressure 4 Anagram (for Mongo) Presto 5 The Analog Kid Signals 6 Anthem Fly By Night 7 Available Light Presto 8 Bastille Day Caress Of Steel 9 Before And After Rush 10 Beneath, Between & Behind Fly By Night 11 Best I Can Fly By Night 12 Between The Wheels Grace Under Pressure 13 The Big Money Power Windows 14 The Big Wheel Roll The Bones 15 The Body Electric Grace Under Pressure 16 Bravado Roll The Bones 17 Broon's Bane Exit Stage Left 18 By-Tor And The Snow Dog Fly By Night 19 The Camera Eye Moving Pictures 20 Chain Lightning Presto 21 Chemistry Signals 22 Cinderella Man A Farewell To Kings 23 Circumstances Hemispheres 24 Closer To The Heart A Farewell To Kings 25 Countdown Signals 26 Cygnus X-1 A Farewell To Kings 27 Cygnus X-1 Book 2 Hemispheres 28 Different Strings Permanent Waves 29 Digital Man Signals 30 Distant Early Warning Grace Under Pressure 31 Dreamline Roll The Bones 32 Emotion Detector Power Windows 33 The Enemy Within Grace Under Pressure 34 Entre Nous Permanent Waves 35 Face Up Roll The Bones 36 Finding My Way Rush 37 Fly By Night Fly By Night 38 Force Ten Hold Your Fire 39 The Fountain Of Lamneth Caress Of Steel 40 Freewill Permanent Waves 41 Ghost Of A Chance Roll The Bones 42 Grand Designs Power Windows 43 Hand Over Fist Presto 44 Here Again Rush 45 Heresy Roll The Bones 46 High Water Hold Your Fire 47 I Think I'm Going Bald Caress Of Steel 48 In The End Fly By Night 49 In The Mood Rush 50 Jacob's Ladder Permanent Waves 51 Kid Gloves Grace Under Pressure 52 La Villa Strangiato Hemispheres 53 Lakeside Park Caress Of Steel 54 Lessons 2112 55 Limelight Moving Pictures 56 Lock And Key Hold Your Fire 57 Losing It Signals 58 Madrigal A Farewell To Kings 59 Making Memories Fly By Night 60 Manhattan Project Power Windows 61 Marathon Power Windows 62 Middletown Dreams Power Windows 63 Mission Hold Your Fire 64 Mystic Rhythms Power Windows 65 Natural Science Permanent Waves 66 The Necromancer Caress Of Steel 67 Need Some Love Rush 68 Neurotica Roll The Bones 69 New World Man Signals 70 Open Secrets Hold Your Fire 71 The Pass Presto 72 Presto Presto 73 Prime Mover Hold Your Fire 74 Red Barchetta Moving Pictures 75 Red Lenses Grace Under Pressure 76 Red Sector A Grace Under Pressure 77 Red Tide Presto 78 The Rhythm Method A Show Of Hands 79 Rivendell Fly By Night 80 Roll The Bones Roll The Bones 81 Scars Presto 82 Second Nature Hold Your Fire 83 Show Don't Tell Presto 84 Something For Nothing 2112 85 The Spirit Of Radio Permanent Waves 86 Subdivisions Signals 87 Superconductor Presto 88 Tai Shan Hold Your Fire 89 Take A Friend Rush 90 Tears 2112 91 Territories Power Windows 92 Time Stand Still Hold Your Fire 93 Tom Sawyer Moving Pictures 94 The Trees Hemispheres 95 Turn The Page Hold Your Fire 96 2112 2112 97 Twilight Zone 2112 98 Vital Signs Moving Pictures 99 War Paint Presto 100 The Weapon Signals 101 What You're Doing Rush 102 Where's My Thing Roll The Bones 103 Witch Hunt Moving Pictures 104 Working Man Rush 105 Xanadu A Farewell To Kings 106 Yyz Moving Pictures 107 You Bet Your Life Roll The Bones All The World's A Stage Exit Stage Left A Show Of Hands (List provided by WRIF, 101.1 FM Detroit, MI. Songs played 4/23/93) [ I bet this took a LONG time to play... :) : rush-mgr ] Enjoy! George ---------------------------------------------------------- Date: Mon, 3 May 93 13:34:26 -0400 From: rarcuri@itsmail1.hamilton.edu (Russ Arcuri) Subject: Break-in period for new music Hello Rush Fans- Travis Corcoran writes: >ObNewTopic: I need to get used to a lot of music before I like it. >This break in period is usually short, but w/ Rush, it is often a year >or longer. I only started to really appreciate HYF a year or so ago >(and I was a Rush fan long before the album came out, I went to the >concert,etc.) I'm starting to like RTB around now. Has anyone else >out there had a similar experience, or is it just me, and I should >take my lithium more often...? I have had the same experience - to a point. When HYF came out, I ran out and bought the CD immediately. I was so disappointed in it that I actually traded it in to a used record store after only a month. Looking back on it, I think I probably had that opinion of it because it was so dissimilar to my favorite Rush album at that time, Permanent Waves. Anyhow, I recently bought myself a new copy because I wanted to complete my Rush collection (only need 2 more...). Imagine my surprise when in just the past month it has become one of my favorite Rush albums - ranking up there with Permanent Waves, Moving Pictures, and Signals. I suppose I never really gave it a chance before, but it's shocking nonetheless. I guess what I learned from all this is not to EXPECT anything from a new Rush album - just take each on its own merits. I never had a "break-in" period for RTB, and it ranks near the top of my list. Russ Arcuri rarcuri@hamilton.edu ---------------------------------------------------------- Date: Mon, 03 May 1993 12:42:18 -0500 (CDT) From: "Life's a crap shoot...so ROLL THE BONES." <CLARKTODD@bvc.edu> Subject: THE TWILIGHT ZONE and Radar Detectors Everytime I take a road trip, I like to pop in good old 2112 in the cassette deck. About 2:32 into THE TWILIGHT ZONE on Side B, there is this squaling noise that makes me think the radar detector is going off! It's a great feeling, although unsettling. For about a second afterwards, my head is darting the countryside and putting the foot on the break. Todd Clark There are many fine police organizations in the world. the video butcher There is INTERPOL. There is Scotland Yard. But there clarktodd@bvc.edu are no finer men and women than those in the Nebraska State Patrol. - FTC 2 MAY 1993 ---------------------------------------------------------- To submit material to The National Midnight Star, send mail to: rush@syrinx.umd.edu For administrative matters (subscription, unsubscription, changes, and questions), send mail to: rush-request@syrinx.umd.edu or rush-mgr@syrinx.umd.edu There is now anonymous ftp access available on Syrinx. The network address to ftp to is: syrinx.umd.edu or 129.2.8.114 When you've connected, userid is "anonymous", password is <your userid>. Once you've successfully logged on, change directory (cd) to 'rush'. There is also a mail server available (for those unable or unwilling to ftp). For more info, send email with the subject line of HELP to: server@ingr.com These requests are processed nightly. Use a subject line of MESSAGE to send a note to the server keeper or to deposit a file into the archive. The contents of The National Midnight Star are solely the opinions and comments of the individual authors, and do not necessarily reflect the opinions of the authors' management, or the mailing list management. Copyright The Rush Fans Mailing List, 1993. Editor, The National Midnight Star (Rush Fans Mailing List) ******************************************** End of The National Midnight Star Number 673 ********************************************