The National Midnight Star #504

Errors-To: rush-request@syrinx.umd.edu Reply-To: rush@syrinx.umd.edu Sender: rush@syrinx.umd.edu Precedence: bulk From: rush@syrinx.umd.edu To: rush_mailing_list Subject: 09/03/92 - The National Midnight Star #504
** ____ __ ___ ____ ___ ___ ** ** / /_/ /_ /\ / /__/ / / / / /\ / /__/ / ** ** / / / /__ / \/ / / / / /__/ / \/ / / /___ ** ** ** ** __ ___ ____ ** ** /\ /\ / / \ /\ / / / _ /__/ / ** ** / \/ \ / /___/ / \/ / /___/ / / / ** ** ** ** ____ ____ ___ ___ ** ** /__ / /__/ /__/ ** ** ____/ / / / / \ ** List posting/followup: rush@syrinx.umd.edu Administrative matters: rush-request@syrinx.umd.edu or rush-mgr@syrinx.umd.edu (Administrative postings to the posting address will be ignored!) ---------------------------------------------------------------------- The National Midnight Star, Number 504 Thursday, 3 September 1992 Today's Topics: Bus Driver Chronicles II Bootlegs Peart's Locomotion Boots -N- Rockline boots... rtb tour story Sorry if this isn't in the right place !!!! Thanks Prisoner ball good to be back / Neil & Limelight Mail Server changed Freedom and Mission ---------------------------------------------------------- Date: Wed, 2 Sep 92 17:50:11 -0500 From: Brian E. Saunders <saunders@luther.che.wisc.edu> Subject: Bus Driver Do any of you wonder if this bus driver was rude on purpose? I mean, it seems that the members of Rush usually go out of their way to be polite to their fans. In order not to ruin that image, you need to have a bad guy (or fall guy) when you want to be abrupt. Or, he could just be a jerk... Brian ---------------------------------------------------------- Date: Wed, 2 Sep 92 15:59:50 PDT From: mmarx@Csli.Stanford.EDU (Matthew Marx) Subject: Chronicles II Hey! Any new Rush album (old material or not) is good news to me; I'd just like to hear if there's any *official* story on this album Chronicles II. Has anyone read about it? I've heard some net.rumors but have grown to distrust them. :) If it's going to be just a bunch of old studio versions mashed together, I won't buy it. I only picked up Chronicles right after I bought my Discman so I could have some Rush to listen to while I saved my pennies to get the other 17 albums -- which I happily achieved two weeks ago! -- on CD. I *never* listen to it anymore except for "WYD" and "aPtB" which were left off their respective live albums. So if it's previously released material, cool. If not, then I propose a worldwide net.boycott to teach Mercury a lesson! tired mind become a shapeshifter everybody need a moon lifter... Matt Marx mmarx@csli.stanford.edu ---------------------------------------------------------- Date: 2 Sep 92 19:22:39 EDT From: James.B.McKeon@Dartmouth.EDU Subject: Bootlegs This is in response to Jeremy Weissenburger's defense of his 'right' to make bootlegs and distribute them freely. I find it sad and disturbing that an alleged fan of such accomplished artists would self-righteously defend his ability to steal their material. Fundamentally, Rush are producers. They do not create goods meant to satisfy man's physical needs, but his intellectual ones. They provide the integration of whole chains of concepts and present them as a perceptual concrete, a piece of music, for you to experience. In this process they do for you an immense intellectual favor - they allow you to grasp that entire chain of concepts and their consequent emotions directly, providing you an integration of those ideas you would lack without their work. It is in this manner that they provide you with what is an intellectual product. In return for the considerable effort required by them to create this product, they demand certain conditions. Of course, they require renumeration in the price of the CD. And in addition, as a condition of sale, they prohibit your reproduction and distribution of that product without their permission. In turn, if you attend one of their concerts, they prohibit the reproduction of that concert. As the sole creators of this product, they have the right to set any considerations they choose as a precondition of trading it in public. As in the realm of most physical goods, the terms of a sale are mutually agreed upon by both parties. If you purchase one of their CD's or attend one of their concerts, you are agreeing to their terms of that transaction implicitly. If you claim that you don't agree to their terms but make the transaction anyway and violate those terms, you have engaged in fraud. Fraud is version of theft and is, as it should be, punishable under the law. For these reasons, anyone attending a Rush concert who tapes it is engaging in theft, regardless of their intentions and future plans for what they have stolen. No amount of rationalizations change the nature of the crime. The person who illegally tapes a CD or a concert is committing, both morally and legally, the same crime as a shoplifter or a car thief, and deserves the same scorn and punishment. If you think that by distributing bootlegs 'for free' you have somehow escaped any moral or legal consequences of your original theft, reconsider. I offer you this analogy - if someone steals a Cadillac, and then offers free rides to his neighbors whenever they wish, is he then free of all guilt and responsibility? I urge anyone trading or making bootlegs against the wishes of the artist to discontinue so doing. If you are witness to such behavior, you are obliged to at least reprimand them verbally. Your respect for the artist demands it. ---------------------------------------------------------- Date: Wed, 02 Sep 92 19:39:16 EDT From: Jon <JEPSTEIN@Kentvm.Kent.edu> Subject: Peart's Locomotion In Cleveland Peart road his bike to the show. A brave man indeed considering the route he had to take to his hotel. Also the band all stayed in one place. ---------------------------------------------------------- Date: Wed, 2 Sep 1992 21:09 EST From: "Hey! Neil Peart has a mowhawk!! ... WAY!!" <CMCVEY@LOYOLA.EDU> Subject: Boots -N- Rockline Bootlegs seem like something all the fans should just get together and trade, kinda like baseball cards.. but this business of pricing them is ridiculous! Sorry, I have enough of a hard time scrounging the $12 or so for a GOOD quality CD on my student budget, why would I pay these LOSERS (read: leeches) $28-$40 for quality that sucks???? I didnt know Metallica allowed tape recorders!! Damn, how did that slip by me??? heheh.. oh well.. should have taped them at RFK.. :( I have never ventured to find Ged/Neil/Alex after a show, say backstage or at their hotel.. how does one figure out where they are going to leave such a large complex as an arena or civic centre? There are usually alot of exits! And how do you ever figure out which hotel they're staying at?? BTW: If anyone wants a tape copy of Ged's latest rockline interview, drop me a line. Slator all.. _____________________________________________________________________________ O*****************************************************************************O | From the Amiga | Multitasking... | Live for yourself, | | of... | --------------- | There's no-one else more | | -.EZ.- | A M I G A S T Y L E | Worth living for... | |cmcvey@loyola.edu | =-=-=-=-=-=-=-=-=-=-= | -- N.Peart (RUSH) | O*****************************************************************************O ---------------------------------------------------------- From: gtas1@sunyit.edu (Terrance Stedman) Date: Wed, 2 Sep 1992 21:52:51 -0400 Subject: boots... Arguing over the bootleg issue is much like arguing over abortion. Both sides are convinced that they're right and no amount of debate will change the minds of either. Freedom of choice allows both sides to be happy. Moral: If you are an anti-boot person, then don't make, distribute, copy, trade, or buy bootleg material. As a side note, is anyone still maintaining the ABL (available boots list)? I have some stuff I'd like to make available for trades only. -- I ) I I <~ I_I Terry Stedman I \ I_I _> I I Internet: gtas1@pool.info.sunyit.edu --------------------------------------------------------------------------- ---------------------------------------------------------- Date: Thu, 3 Sep 1992 00:12:03 -0600 From: walter@lamar.ColoState.EDU (Brewing Chemist) Subject: rtb tour story Although my story pales in comparison to jimmy's and others, I figured the NMS is not too cluttered, so what the hey? [ No one's story is pale in comparison to anyone else's. A story is just a story, so send them in; it's not a competition. I want as many stories, good or bad, as you want to share! : rush-mgr ] I say them June 27th at Alpine Valley, the second last show of the tour. (I begged and pleaded and tried to bribe my wife into going to the last show, the 28th, but she could not get off work :( ) My normal "company" when seeing the boyz were all their, but I had along two classmates, who were RUSH virgins. Mitch has been a fan since he smoked weed at lunch listening to 2112 in 1977, while Brian likes the boyz, but really had no interest in them before meeting me. Now both Brian and Mitch had been to their share of concerts before, but never RUSH. The looks on their faces after the opening medley said it all. They were both standing there, jaws open, in awe. (I remember that feeling from my first Rush show, PoW). They both really go into it, and were rockin as hard as I was for the entire show. After the show, waiting for the parking to clear, they just could not shut up about it. It was an just an incredible feeling to see the RUSH "Magic" spread like that. I don't mean to get to sentimental or anything, but times like those really make a concert memorable. On a different note, the concert did not start off particularily well. When we got to the lot, we proceeded with the typical Brats on the Grill, and Homebrew in the cooler (as Mitch and I both Brew). Soon, the Alpine Security dudes came cruising by, informing us that the new policy stated NO alcohol in the parking lots, whatsoever. Now this was news to me at a Rock concert! Not entirely pleased, we were forced to make sure we finished the cooler completely, but quite inconspicuously. (Mind you we were not drunk, as I hate drunk fans as much as Jimmy, and also would not want to see the guys while under the influence, as I get high enough on their music ;) Well, I guess cops will be cops. We saw 25 tickets handed out while waiting for the show to begin, at 96 bones apiece. I guess those two cops met their quota!! Well, as a homebrewer I feel compelled to spread the word about this Neo-Prohibitionist movement which is getting all too powerful. But enough non-RUSH babbling. Sorry. Good Day Brian J Walter | I ) I I <~ I_I | |~~| Relax, |~~| Colorado State University | I \ I_I _> I I | (|HB| Don't Worry, |HB|) walter@lamar.colostate.edu | ROCKS! | |__| Have A Homebrew |__| ---------------------------------------------------------- Date: Thu, 3 SEP 92 11:08:55 BST From: BLTSBARRY@VAX.LIVERPOOL-POLY.AC.UK Subject: Sorry if this isn't in the right place !!!! Hi guys! I've just got a few questions to ask if I may! 1. Who is the guy on the front and reverse sides of Power Windows? 2. On my copy of the video The Big Money (Chronicles) about half way through he seems to be in suspended animation!!! I've actually seen the normal vid of it, and this doesn't happen! Could this be a fault? Has anyone got the same problem?? 3. Is it true that the actor playing Unit 1 in The Body Electric video, actually played the role of Tarzan in a film from a few years ago??? Any help on these question swould be appreciated!!! By the way, everyone who mailed me about, taping Rush one,two and the fly I will try my best to sort you all out, but as you'll probably gather I had a massive response, and have about 25+ people to tape them for! *begins to dread asking everyone now* Anyway that's a wrap! -------------------------------------------------------------------------------- Shaun Barry | Liverpool J.Moores University | Liverpool | Better people...Better Food... And England,UK | Better Beer! | Territories e-mail: bltsbarry@liverpool-poly.vax | Power Windows | -------------------------------------------------------------------------------- ---------------------------------------------------------- Date: Thu, 3 Sep 1992 08:54:16 -0700 From: Jennifer Stroud <jstroud@ocf.Berkeley.EDU> Subject: Thanks Thanks to everyone who has responded to the msg I mistakenly signed a "blonde... ME" -- Please, fellas, this was not meant to be an "SWF seeking..." type ad. Simply wanted to personalize the whole e-mail experience. I'll be answering the replies that mentioned interview transcripts and bootlegs... More are certainly welcome. My mailbox is now flooded, but soon should accept incoming again. Can anyone find me a copy of "The Fly?" Berkeley music stores are stocked with rare Grateful Dead presses and indies, but I have yet to see any by the Trio from Toronto. Incidentally, are there any WOMEN on NMS? Every female but me at the concerts always seems to be someone's (black halter-top wearing) girlfriend. I have fairly good pictures from the RTB tour (20th row, zoom lens). Interested??? "You can choose a ready guide in some celestial voice; You can choose not to decide -- you still have made a choice!" Freewill ---------------------------------------------------------- Date: Thu, 3 Sep 92 14:37:03 -0300 From: ron@convex.esd.mun.ca (Ron Wiseman) Subject: Prisoner ball >> "that big red ball that acts as a security device on the Prisoner >> reminds me of the HYF cover" > >Also, in the Lock and Key video, there is this big red ball that >goes floating throughout the entire video. "Don't want to silence >a desperate choice, for the sake of security." I think you're >on to something here. ;-) Sorry, fellow Rush fans - when was the ball red in "The Prisoner"? It was white. Sorry, my mistake. It appears that the ball in the Prisoner is white. I based my previous posting on my failing memory (and perhaps a bit of wishful thinking). On another note, I saw a special on Much Music a while back on the Barenaked Ladies. On the show they did a comedy sketch where one of the guys made a solo album singing clasic tunes. One of the tunes listed was Xanadu. It appears the Barenaked Ladies are Rush fans. - Ron "Sweet memories - Passing very quickly by" ---------------------------------------------------------- Date: Thu, 3 Sep 92 13:55:35 EDT From: Doug White <dwhite@dsys.ncsl.nist.gov> Subject: good to be back / Neil & Limelight Boy, after that long dry spell, it's nice to have the NMS back! About a dozen issues snuck up on me, and I almost got tired of reading them ... but then I recovered my sanity & dove back in. :-) It seems to be good timing again! If I was a Police fan, I'd call it synchronicity - I read the post about "Where's Neil?", and on the way home, WGRX played "Limelight". Two lines hit me from that song: "one must put up barriers to keep oneself intact" and "I can't pretend a stranger is a long-awaited friend". So, is Neil taking his own advice? Are his barriers to keep his ego from over-inflating from being called "God of Drums"? Is it hard for him to put up with fans who assume familiarity? I think I'd be disappointed if I said "Hi" to G/A/N and they blew me off, although there's no way they'd know me from Adam. (Adam Ant or Adam Clayton) It'd be interesting to see how many of y'all have seen in hotel/spoken to/ shook hands with/are friends of Ged, Alex & Neil. And how many of those times the person had to chase (or lead :) the bus to do it. oh well, just another $0.02. Glad y'all are back! dwhite ---------------------------------------------------------- From: keith@dragon.b23b.ingr.com (Keith Ford) Subject: Mail Server changed Date: Thu, 3 Sep 92 13:38:25 CDT The Mail Base Archive Server has changed. You no longer request files using the subject line. Read on form more information. -kef/MM- : : / \ //\ |\___/| / \// .\ /O O \__ / // | \ \ / / \/_/ // | \ \ @___@' \/_ // | \ \ | \/_ // | \ \ | \/// | \ \ _|_ / ) // | \ _\ '/,_ _ _/ ( ; -. | _ _\.-^ .-^^^:-. ,-{ _ `-.|.-^-. .^ `. '/\ / ^-. _ .-^ .-^:-. \ `. { } / \ \ .----^-.\ \-' .^ \ `. \:-. ///.----..> \ _ -^ `. :-` :-_ ///-._ _ _ _ _ _ _}: - - - - ^ ^--, .-^ /.-^ [ Cool picture! : rush-mgr] [ This help file and the the Dragon services are being finished as you read/use them. When all seems to be in place, this paragraph will be gone. For those of you that used to request files by using the subject line, that no longer works. Read on for the new procedure. Dated 25-AUG-92 ] === HELP ========================================================== Dragon has a number of features that are available to most people. Mail based archive server, anonymous ftp, email list subscriptions, and such. Some features are reserved for Intergraph people only due to the nature of the beast. To subsribe to an email digest or list, read the following text concerning the /SUBSCRIBE command. A list of lists is in the appendix at the end of this help file. If you wish to make files available or create an email digest, please contact fordke@ingr.com or send a message via the server per the instructions provided below. For those with access, you can use anonymous ftp to fetch files from the server. Simply FTP to dragon and log in as "anonymous" or "ftp". No password is necessary. The /pub directory is where the archives are stored. The archive server will allow you to retrieve items via electronic mail, subscribe to email lists, and more. It has limited error detection, so study this help file before sending a request. The server processes requests only once per day. This is generally during the very early morning hours in the US. To make the archive server do something you should send an electronic mail message to server@ingr.com. The body of the message should consist of one command per line. The case of the text does not matter. /SEND INDEX == /sEnD iNdEx Command keywords always have a forward slash '/' character for a prefix. Lines without this prefix are ignored. Commands are interpreted and put into action as they are encountered when parsing the message from top to bottom. We currently have the local Rush/SOL/APP archives from node bisbee, a partial mirror of the SIMTEL archive, and a mirror of the Rush archives at syrinx. === COMMANDS ====================================================== /HELP ----- Sends you this text explaining the server commands. /ADDRESS <address> ------------------ This becomes the active address for your request. It overrides any previous address specifiers. This must be a valid domain style address by which you can be reached. 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Transfers exceeding this amount will be split into several messages before sending. A value of 0 means that there is no limit. The archive server has a default size limit of 100000 bytes. You may change this if you know that you have different limits. Most (but not all) uucp sites have a limit of 100000 bytes. CompuServe accounts have a 60000 byte limit on mail. Internet and Bitnet sites should set this to 300000 bytes. [/SIZE] /QUIT ----- The remainder of the message is ignored. This can be useful if a long signature is appended to the message. [/END,/EXIT] /SEND <item> ------------ The specified <item> is looked up in the file list. If found, it will be sent to you by email. Binary (8-bit) items are uuencoded before sending. The /PACK and other commands affect this command. You must specify the item as directory/filename. NOTE: use forward slashes '/' only /RESEND <item> <part> [<part>...] -------------------------------- Resend the indicated <part>s of this <item>. This is useful if not all parts of a multi-part transmission arrived correctly. When resending, the /PACK and /LIMIT used must be identical to those of the original transmission. This information should be on the 'BEGIN' line of one of the received parts. NOTE: use forward slashes '/' only /UUSEND <item> -------------- This command is identical to the command /SEND except that the <item> is guaranteed to be uuencoded. This is useful if you know that the return message will go through EBCDIC based computers. NOTE: use forward slashes '/' only /UURESEND <item> <part> [<part>...] ----------------------------------- This command is identical to the command /RESEND except that the <item> is guaranteed to be uuencoded. This is useful if you know that the return message will go through EBCDIC based computers. NOTE: use forward slashes '/' only /PACK <type> ------------ Change items compression to this <type> which will affect all SENDs and RESENDs (and UU versions) from this point on until another PACK line is encountered. Choices are NONE, Z, COMPRESS, and ZIP. [/ARCHIVER] /INDEX ------ Sends a list of the items with sizes, dates, and descriptions. This list is sorted by directory and then by filename. It has the same effect as the command /SEND INDEX. [/FILES] /MESSAGE -------- Send a message to the administrator of the server. The remainder of the message will be sent, without parsing for additional commands. [/NOTE] === APPENDICES ==================================================== 1. Requests are queued and processed once per day during the early morning hours of the US. 2. The current list of available lists. (* restricted) dragon ----- available services pc --------- MSDOS pc related gui -------- Dazix Magellan GUI * lib -------- Dazix Libraries * framework -- Dazix Framework * gbt -------- Game Bytes magazine (text version) gbg -------- Game Bytes magazine (graphics version) 3. There is no /TEST command. All email sent to the Dragon Server will have a log report sent in response after processing. -- Keith E. Ford __ Intergraph Corp / \ Micro Magic BBS 1:373/12 The Dragon Server +1 205 730-8614 \__/ sysop@umagic.fidonet.org server@ingr.com fordke@ingr.com [__] 830-2362 HST/V32bis 9600 "Subject: HELP" ---------------------------------------------------------- Date: Thu, 3 Sep 92 16:44:55 -0400 From: jlang (~ Rush Fanatic ~) Subject: Freedom and Mission > >From: Scott David Daly <skipdaly@wam.umd.edu> >Date: Wed, 2 Sep 92 11:30:17 EDT >Subject: RTB tour stories > >... regarding Jimmy's post: you're absolutely 100% right about the bus >driver!!! I could think of several choice words for him! How 'bout >we all take up a petition to get him canned!?...or at least send him >to charm school! I think a few shows later the bus driver in question was replaced. I was told he became sick or something like that, he wasn't driving the later dates. (Maybe that was why he was so cranky, who knows..) But I'm glad to know I wasn't imagining when I thought he was rude to just me. The driver they had for the Presto tour was a very nice gentleman (Randy) he gave me full directions with freeway numbers and all. They must have changed bus drivers. -Jimmy jlang@syrinx.umd.edu PS. Great names for the buses too. ----------------------------------------------------------
To submit material to The National Midnight Star, send mail to: rush@syrinx.umd.edu For administrative matters (subscription, unsubscription, changes, and questions), send mail to: rush-request@syrinx.umd.edu or rush-mgr@syrinx.umd.edu There is now anonymous ftp access available on Syrinx. The network address to ftp to is: syrinx.umd.edu or 128.8.2.114 When you've connected, userid is "anonymous", password is <your userid>. Once you've successfully logged on, change directory (cd) to 'rush'. There is also a mail server available (for those unable or unwilling to ftp). For more info, send email with the subject line of HELP to: server@ingr.com These requests are processed nightly. Use a subject line of MESSAGE to send a note to the server keeper or to deposit a file into the archive. The contents of The National Midnight Star are solely the opinions and comments of the individual authors, and do not necessarily reflect the opinions of the authors' management, or the mailing list management. Copyright The Rush Fans Mailing List, 1992. Editor, The National Midnight Star (Rush Fans Mailing List) ******************************************** End of The National Midnight Star Number 504 ********************************************