The National Midnight Star #292

Errors-To: rush-request@syrinx.umd.edu Reply-To: rush@syrinx.umd.edu Sender: rush-request@syrinx.umd.edu Precedence: bulk From: rush@syrinx.umd.edu To: rush_mailing_list Subject: 07/18/91 - The National Midnight Star #292 ** Special Edition **
** ____ __ ___ ____ ___ ___ ** ** / /_/ /_ /\ / /__/ / / / / /\ / /__/ / ** ** / / / /__ / \/ / / / / /__/ / \/ / / /___ ** ** ** ** __ ___ ____ ** ** /\ /\ / / \ /\ / / / _ /__/ / ** ** / \/ \ / /___/ / \/ / /___/ / / / ** ** ** ** ____ ____ ___ ___ ** ** /__ / /__/ /__/ ** ** ____/ / / / / \ ** The National Midnight Star, Number 292 Thursday, 18 July 1991 Today's Topics: Rush Crossword Puzzle! (Original) ---------------------------------------------------------- Here is an original crossword puzzle from Cam Abrams submitted for your amusement. He says it's original, but mentioned it bears a resemblance to the one in the back of the Moving Pictures tourbook (which I haven't seen in 10 years). I leave it to you to judge. Or rather, I don't - just enjoy it. Cut just above the title, and trim off the trailers. There is a CTL-L in between the puzzle and the clues for a formfeed. For me, the puzzle fit on one page, and the clues fit on a second page. The Unofficial Rush Trivia Crossword Puzzle by Cam Abrams 1--.--2--.--.--.--3--.--.--.--.--4--.--.--.--5--.--6--.--7--. | | | | | | | | |##|##|##| | | | | | | |##| | |--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--8--+--+--| | |##| |##|##|##| |##|##|##|##| |##|##|##| |##| | | | |--+--+--+--+--+--+--+--9--+--10-+--+--+--+--+--+--+--+--+--| | |##| |##|##|##| |##| |##| | | | | | |##| |##| | |--+--11-+--+--+--+--+--+--+--+--+--+--+--+--+--+--12-+--+--| | |##| | | | | | | |##|##| |##|##|##|##|##| | | | |--+--+--+--+--+--+--+--+--+--+--+--+--13-+--14-+--+--+--+--| | |##| |##|##|##| |##|##|##|##| |##| |##| | | |##| | |--+--+--+--15-+--+--+--16-+--+--+--+--+--+--+--+--+--+--+--| |##|##| |##| | | | | | |##|##|##| |##| |##| |##|##| |--+--+--+--+--+--+--+--+--+--17-+--18-+--+--+--+--+--+--+--| |##|##|##|##|##|##| |##| |##| | | | | | | | | |##| 19-+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--| | | | |##|##|##| |##| |##| |##| |##|##| |##| |##|##| |--+--+--+--+--+--+--+--+--+--+--+--+--+--20-+--+--+--+--21-| | |##|##|##|##|##| |##| |##| |##| |##| | | | |##| | |--+--+--+--+--+--22-+--+--+--+--+--+--+--+--+--+--+--+--+--| | |##|##|##|##|##| | | | | | | |##|##| |##|##|##| | 23-+--24-+--25-+--+--+--+--+--+--+--+--+--+--26-+--+--+--+--| | | | | | |##| |##| |##|##|##| |##|##| | | | | | |--+--+--+--+--+--+--+--+--+--27-+--+--+--+--+--+--+--+--+--| | |##| |##| |##| |##| |##| | | |##|##|##|##|##|##| | 28-+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--| | | | | | | | | | | |##|##| |##|##|##|##|##|##| | |--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--29-+--+--| | |##| |##|##|##| |##| |##|##|##| |##|##|##|##| |##| | 30-31-+--+--+--+--+--+--+--+--32-+--+--33-+--+--+--+--34-+--| | | |##|##|##|##|##|##|##|##| | | | | | | | | |##| 35-+--+--36-+--+--+--+--+--+--+--+--+--+--+--+--+--37-+--+--| | | | | | | | |##|##|##| |##|##| |##|##|##| | |##| |--+--+--+--+--+--+--38-+--+--39-+--+--+--+--40-+--+--+--+--| |##| |##| |##|##|##| |##|##| | | | | | | | | |##| 41-+--+--42-+--+--+--+--+--+--+--+--+--+--+--+--+--43-+--44-| | | |##| | | | | | |##| |##|##| |##| |##| | | | |--+--+--+--+--+--+--+--+--+--+--+--45-+--+--+--+--+--+--+--| | |##|##| |##|##|##| |##|##| |##| |##|##| |##|##|##| | 46-+--+--+--+--+--47-+--+--48-+--+--+--+--+--+--+--+--+--+--| | | | | |##|##| | | | | | | | | |##|##|##|##| | |--+--+--+--+--49-+--+--+--+--+--+--+--+--+--+--+--+--+--+--| | |##|##|##|##| |##| |##| |##|##| |##|##|##|##|##|##| | 50-+--51-+--+--+--+--+--+--+--+--+--+--+--+--+--+--52-+--+--| | | | | |##| |##|##|##| |##|##| |##|##|##|##| | | | |--+--+--+--53-+--+--+--+--+--+--54-+--+--+--+--+--+--+--+--| |##|##| |##| | | | | | |##| | | | | | |##|##| | ----------------------------------------------------------- Some clue notation: "[ ]" indicates a missing word(s) in the phrase Lyrics are in double quotes -- "going bald" Song titles (in clues) are in single quotes -- `The Big Money' Album titles (in clues) are underlined -- _Permanent Waves_ Cross-referenced clues -- 2a is "2 accross"; 34d is "34 down" Accross: 1-This event in Geddy's life coincided with Neil joining Rush 4-"An [ ] mass of New Yorkers" 8-2nd part of 1st word of epic song title 10-3rd word of epic song title (see 3a and 21d) 11-"Living one long [ ] for to me all things are new" 12-what the caves of 54a are made of 14-`Best I [ ]' 15-"I'll just give [ ], won't let good times pass me by" 17-Neil enjoys this when not writing or drumming 19-`The Analog [ ]' 20-Replaced 14d on _Presto_ 22-Rough translation of Zivojinovich 23-They fought over sunlight 26-Living on a lighted one "approaches the unreal" 28-Where 4d was recorded 30-"Three men [ ] Willowdale" 32-`[ ] Project' 35-2nd half of drum solo title in `The Fountain of Lamneth' 37-"[ ] the burden of proof" 39-"handle with [ ]" 41-"[ ] read about the exceptions" 42-god of wisdom 43-Rush's favorite color? 46-"No virgin land [ ] chaste" 47-Human quality that is one major theme of much of Rush's music 50-Album cover designer Hugh 52-It's really his middle name 53-You can't steal these from the Cinderella Man 54-Rush's answer to a famous Coleridge poem Down: 1-a.k.a. T. C. Brown 2-1st drummer John 3-Where "I want to look at life" 4-Acronym of 1st live double album title 5-To say the members of Rush are not excellent musicians would be a [ ]. 6-Name of ship in `Cygnus X-1' 7-"[ ]-more to grace the night" 9-"Those who wish to [ ]" 13-"Finding My [ ]" 14-Producer Peter 16-Wales studio where _AFTK_ was recorded 17-Geddy really does the best he can when playing this 18-The space shuttle Columbia is immortalized in this song 19-Flambouyant drummer who was oddly a young Peart's idol 21-1st part of 1st word of epic song title (see 8a and 10a) 24-Where a promise is offered 25-"I can [ ] what you mean" 29-2nd word of _HYF_ song title (see 33d) 31-"A downcast [ ] aglow with persperation" 33-1st word of _HYF_ song title (see 29d) 34-Geddy's is somewhat larger that most people's 36-Anagram of "trape" 38-These are forced to change in `Prime Mover' 40-"We burn the midnight [ ]" 44-"A writer's stare" does this to "the empty page" 45-May loosely translate as "house" in Italian 48-"My [ ] have just been opened" 49-One of what dreamers in the gutter turn to look at 50-"Yet it was for [ ], not you, I came to write this song" ----------------------------------------------------------
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