The National Midnight Star #276

Errors-To: rush-request@syrinx.umd.edu Reply-To: rush@syrinx.umd.edu Sender: rush-request@syrinx.umd.edu Precedence: bulk From: rush@syrinx.umd.edu To: rush_mailing_list Subject: 06/28/91 - The National Midnight Star #276
** ____ __ ___ ____ ___ ___ ** ** / /_/ /_ /\ / /__/ / / / / /\ / /__/ / ** ** / / / /__ / \/ / / / / /__/ / \/ / / /___ ** ** ** ** __ ___ ____ ** ** /\ /\ / / \ /\ / / / _ /__/ / ** ** / \/ \ / /___/ / \/ / /___/ / / / ** ** ** ** ____ ____ ___ ___ ** ** /__ / /__/ /__/ ** ** ____/ / / / / \ ** The National Midnight Star, Number 276 Friday, 28 June 1991 Today's Topics: You're a fan when ---- interview insight You know you're a Rush fan when.... In defense of CREEM (asbestos ready!) Chronicles.... Balls! RUSH on TV Similarities and a Presto Review p.s. ugh sorry CD Hotline Hotline Again ---------------------------------------------------------- Date: 27 Jun 91 16:19:00 CDT From: "KESHAV UTHURUSAMY" <keshav@zeus.unomaha.edu> Subject: You're a fan when ---- You know you're a RUSH fan when : You're hired for a contract postion that pays $2112/month (I have the stub!) (it only lasted one month) You're watching Porky Pig go after the "last" Dodo and you see a reference to the three balls on HYF ("The sign of the pawn broker made momma go mad") The locks on your new briefcase are made by "PRESTO". Pretty nifty huh! The wild coincidences you find in life; or are they just coincidence? :) Daredevil ORBQ: "Hold your fire; keep it burning bright!" =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= DAREDEVIL - THE MAN WITHOUT FEAR Internet : keshav@zeus.unomaha.edu (VAX/VMS) Bitnet: keshav@unoma1 bbs.daredvl@spies.com (SUN/OS) ICBMnet: 41' 35", 67' 34" kasey@gnu.ai.mit.edu (BSD UNIX) Daredevil on IRC UUnet : uunet!zeus.unomaha.edu!keshav@uunet.uu.net "INVICTUS MANEO" -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- ---------------------------------------------------------- Subject: interview insight Date: Thu, 27 Jun 91 14:40:10 -0700 From: Michael J. Konopik <zzz@erg.sri.com> (To our esteemed Rush-Mgr: This isn't an outraged response - expecting bad reviews and interviews means not getting upset anymore when they come out...) I think the whole key to understanding this nonsense is in the one paragraph: > I didn't have the heart to tell Neil the _real truth_, namely that > this frustrated musician hoo-hah is just the tip of the iceberg. > What we _really_ are is frustrated writers. Now, can anybody guess > why? Because you're jealous that musicians get all the crowd's attention, when a _serious_ journalist like yourself is mired in poverty and obscurity? What a bitter guy - I bet he's about as much fun at a party as a sackful of cats in heat ("I stood longer in line, but SHE got more prime rib than I did!"). It always cracks me up to see somebody make a total ass of themselves in the national media like that, especially when they're oblivious to it. Waiting for those bones to roll, -Mike ORQ: So much stuff without style ---------------------------------------------------------- Date: Thu, 27 Jun 91 19:30:22 EST From: Corum%USCN@uga.cc.uga.edu Subject: You know you're a Rush fan when.... ....You set your watch alarm for 9:12pm. Over the course of three years, your friends learn to recognize the chimes of the daily 'Rushdate'... ---------------------------------------------------------- Date: Thu, 27 Jun 91 19:28:52 -0500 From: Wow <dmf@morgana.pubserv.com> Subject: In defense of CREEM (asbestos ready!) I'd just like to say that CREEM hasn't ALWAYS been a pile of crap...when it was first started by Barry Cramer (who, btw, was a good friend of my parents and a pretty cool guy all around) it was filled with decent music news and interviews with and about acts that were off the beaten path of top-40 music; it basically recapatured the "edge" that Rolling Stone began with but had lost by the time CREEM came around. After Barry's tragic death (by excessive inhalation of nitrous oxide, laughing gas), the mag was defunct for quite some time; when it came back, it was with a kind of slick "hipness" very similar to the one which had corrupted Rolling Stone. Them's the paradoxes of life.... You do have to admit, tho, however wrongheaded and biased the Rush interview was, it was pretty damn funny....(imho) --moses ---------------------------------------------------------- Date: Thu, 27 Jun 91 22:17:22 EST From: cygnus@wpi.WPI.EDU (Marshall Robin) Subject: Chronicles.... Hmmmm.....I don't know about the rest of you fanatics, but I bought the album to get A Passage to Bangkok (live) and What You're Doing (live). As you may or may not know, Chronicles is the only place to get these on CD, so that is the only reason I can think of to buy it. Wow...$12 a song. -Marshall ---------------------------------------------------------- Date: Fri, 28 Jun 91 02:04:29 EDT From: jaeger@buphy.bu.edu (Gregg Jaeger) Subject: Balls! Phil, I'm the one who asked about the _HYF_ balls. I get the part about the balls representing the three members in the band -- that's pretty clear from the ``Time Stand Still'' video (where the balls `pass through time' by passing Rush albums) -- and balls are clearly _individual_ balls, but I'm really interested in knowing if there is anything in _The Fountainhead_ which mentions balls specifically. I understand that Objectivism is fundamentally individualistic and that the balls are _individual balls_ but is that really grounds for saying that the balls were inspired by _The Fountainhead_ or Ayn Rand in any direct way? Gregg ----------------------------------- Gregg Jaeger (jaeger@buphy.bu.edu) ``Truth is after all a moving target'' Dept(s). of Physics (and Philosophy) Boston University, Boston MA 02215 ->>READ DOS PASSOS!(his books, i.e.)<<- ------------------------------------------------------------------------------ ---------------------------------------------------------- Date: Thu, 27 Jun 91 18:12:30 -0500 From: bbx!rivendell!chris@unmvax.cs.unm.edu (Christopher L. Baldwin) Subject: RUSH on TV This is the first time that I've ever had something to contribute to the digest. This is very exciting. :-) Anyway, about 2 or 3 years ago, my brother was on 20/20. It was a report about spinal cord injuries caused by lap belts. In the report, there is a shot of my brother driving his car. After they shot the seen and left, they called to say that the sound had gotten screwed up and what did Steve want them do dub in. He selected "New World Man", and they did dub it in. TTFN chris ---------------------------------------------------------- Subject: Similarities and a Presto Review From: vinnie@darkside.com (Vindicator) Date: Fri, 28 Jun 91 00:37:24 PDT I found the Creen article quite amusing. I need not say more. But in an attempt to find a review of Presto that fit my own opinions I went searching through my Guitar magazine issues. And guess what I found? The following review is taken from the June, 1990 issue of Guitar. The author is Buzz Morison. PRESTO Rush - Atlantic PERFORMANCE: Crisply controlled; HOT SPOTS: "Scars," "Superconductor" and "Hand Over Fist;" BOTTOM LINE: New label, new producer, new clarity The two-year hiatus from the studio that included last year's live "Show of Hands" has recitalized Rush's rock inspiration. That break, along with the band's first label switch in 16 years and the welcoming of producer Rupert Hine, seems to have lightened the load on the band, resulting in "Presto", one of the ban's strongest, clearest and most bracing albums. Rush's technical brialliance and compositional extravagance remain intact, but Alex Lifeson, Geddy Lee and Neil Peart let their playing flow more freely as it developes intensity along the way. The use of dance rythms in "Scars" and the power riffing "Superconductor" further push the band's progressive envelope, while Hine's production refinements allow more of the trio's interplay and virtuoso individual playing to come through with a strutting crispness. Lee's bass is especially noteable, carrying cuts like the terse "Show Don't Tell." Lifeson's guitar is brittle and razor sharp, clanging out and clinging to rhythms, breaking off snarling accents, and creaking sparkling solo arcs of wiry electric current on "The Pass" and the soaring "Hand Over Fist." Lifeson continues to play against the hard- rock mainstream, and his bans resolutely restates its own singularity with "Presto" as well. - end of article - Well I could not have said it better myself. I agree somewhat with his best picks for songs. But I personally believe that Available Light and Show Don't Tell are the two best on the album, along with Anagram. But as you know it is so difficult to choose a favorite :-) As for the similarities (that's what I call it) between "Message in a Bottle" and the much more powerful "Red Tide", they appear far from being stolen material. If you listen to both one is more complex and involved (Red Tide) and does not last the entire song as the main melody. And the two are played on two completely different instruments. This is like saying that the intro guitar riffs on AC/DC's "Thunderstruck" and Mr. Big's "Green Tinted Sixties Mind" were stolen from the intro riff to "The Spirit of Radio". They aren't! But they are similar, and I would like to think that both bands were influenced by Rush in some way. Well I have wasted too much of your time all. Remember feel free to send me mail concerning the fan magazine I am starting, and even letters and material to be incorperated into the first issue, and remember... "Ten bucks is ten bucks!" - Geddy Lee +=-=-=-=-=-=-=-=-=-=-=-=-=+ | mail to... | | vinnie@darkside.com | | later... Dan | +=-=-=-=-=-=-=-=-=-=-=-=-=+ ---------------------------------------------------------- Date: Fri, 28 Jun 91 08:15:08 EDT From: jaeger@buphy.bu.edu (Gregg Jaeger) Subject: p.s. When I say the ``Time Stand Still'' video above, I mean the video shown in concert, not the one shown on television... Gregg ---------------------------------------------------------- Date: Fri, 28 Jun 91 08:21:59 EDT From: jaeger@buphy.bu.edu (Gregg Jaeger) Subject: ugh Ooops, I think I the stage video I'm referring to is that for ``Mission.'' G ---------------------------------------------------------- Date: Thu, 27 Jun 91 13:25:44 CDT From: storey%batse.span@Fedex.Msfc.Nasa.Gov (SCOTT STOREY X7700) Subject: sorry Rush Mgr: Sorry! I sent the post without formatting <80 char. Please delete that one and post this one instead. Thanks Greetings Just a coupla quick things. I'm feeling guilty about lurking in the reading section of the NMS. 1) Somebody commented on the similarities of Rush and Queensryche and the influence of Rush members on other rockers. It reminded me of a record I heard recently by a band called 'Primus'. It was called "Suck on This". The record was recorded live and is an ok record. Not like Rush at all though. Except the first song on the record starts with the bass solo (sortof) of either Xanadu or Cygnus X-1 (can't remember). Wonderful!! Anybody here (probably everybody) that likes Ged's style, you gotta hear this guy from Primus. Excellent. 2) The comments about Rush in Rolling Stone etc. Do what I do. Ignore these guys. Rush has been putting out quality albums and people have been buying them since '73. I have yet to read a favorable review of a Rush album in RS. Rush is not gonna be made or broken by some guys viewpoints in RS. 3) As for some person's comments about Rush fans. Ignore them too. 4) All comments are IMHO so you can ignore me if you like. Seeya scott ---------------------------------------------------------- Date: Fri, 28 Jun 91 10:11:07 -0400 From: supriya (Lyricist) Subject: CD Hotline Hi there, I called the CD Hotline yesterday and found out that soembody called and told them about TNMS. Just out of curiosity who was it?? [ Beats me, but our fame is spreading. First a write-up in The Spirit of Rush (thanks Andy!), and now this. :rush-mgr ] --Supriya (Hi to Ken Baynard, a fellow youthful Rushian :-) "Everybody is a nun."--Salinger ---------------------------------------------------------- Date: Fri, 28 Jun 91 10:12:59 -0400 From: supriya (Lyricist) Subject: Hotline Again HI again, I forgot to mention in my earlier post that my friend at the CD Hotline said that the release date for the new album was September 3 as far as he knows. Oh well..keep your fingers crossed... --Supriya "Everybody is a nun."--Salinger ----------------------------------------------------------
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