The National Midnight Star #270

Errors-To: rush-request@syrinx.umd.edu Reply-To: rush@syrinx.umd.edu Sender: rush-request@syrinx.umd.edu Precedence: bulk From: rush@syrinx.umd.edu To: rush_mailing_list Subject: 06/21/91 - The National Midnight Star #270
** ____ __ ___ ____ ___ ___ ** ** / /_/ /_ /\ / /__/ / / / / /\ / /__/ / ** ** / / / /__ / \/ / / / / /__/ / \/ / / /___ ** ** ** ** __ ___ ____ ** ** /\ /\ / / \ /\ / / / _ /__/ / ** ** / \/ \ / /___/ / \/ / /___/ / / / ** ** ** ** ____ ____ ___ ___ ** ** /__ / /__/ /__/ ** ** ____/ / / / / \ ** The National Midnight Star, Number 270 Friday, 21 June 1991 Today's Topics: Administrivia RE: That "thing" on Alex's guitar Alex speaking in concert Subdivisions Live! (none) You know you're a fan... Sinatra Sucks Neil's set and its miking oops, one more thing (sorry) Longevity worries The two Dave Rubins Re: Alex Speaks how many copies did each album sell? ---------------------------------------------------------- Subject: Administrivia Date: Fri, 21 Jun 91 14:24:09 -0400 From: RUSH Fans Digest Manager <rush-mgr> [ Sorry this is yet again late. The problem was due to reconfiguration of path names on Syrinx. *sigh* ] You may have noticed a bit of fluctuation in the times you've been receiving the NMS these last couple of days. The delay for Wednesday's digest (6/19) was due to the installation of the new hard disk and subsequent load of a new level of the opsys. Thursday's digest (6/20) was never mailed because the cron daemon was not up. Both these digests were sent manually the next day. I've fixed the cron situation, so today's issue should go out at the regular time. Keep your fingers crossed... Advertisement: Are you deailing with a new, unfamiliar, or just plain cranky mailer? Is your system flakey, or are you simply fumble-fingered? Then this offer is for you! If you send something to the list address for inclusion in the NMS, and the resulting mail is gibberish, or at least not your native tongue? If you act quickly enough, you can relax and not look like an idiot to the rest of the list. If you mess up and send something garbled or incomplete, quickly send mail to the administrative address letting me know what happened. I can remove it from the digest before it's mailed, with noone being the wiser. I've done this a couple of times this week, which prompted me to send this; I noticed things and checked back with the authors. They usually wanted it removed, which I did. (Not to single anyone out.) Lastly, as always, ALL IMPORTANT ADDRESSES ARE AT THE END OF EACH ISSUE. At least read that bit before sending admin. mail; half of peoples answers are in there, believe it or not! rush-mgr ---------------------------------------------------------- Date: Thu, 20 Jun 91 15:35:32 -0500 From: rjf@maxwell.physics.purdue.edu (Robert J. Friedman III) Subject: RE: That "thing" on Alex's guitar Good day, eh? Long time no speak. Been busy lately. Anyway, that circular "thing" on Alex's guitar is a patrol patch used by some Boy Scouts. That particular one is the "panther" patrol patch. Oddly enough, many moons ago (10 years already!) I had the honor of being the patrol leader for one such "panther patrol" in Troop 44, Poland, Ohio. Could this be my brush with greatness? ;-) BTW, any King Crimson fans out there should check out the debut album from Fripp's new group. The band is "Sunday All Over The World" and the album's title is _Kneeling_At_The_Shrine_. It's a beauty! -Bob Friedman -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- "Let music never become just another ! "Life is too important to way of making money." -Keith Tippet ! be taken seriously" -Oscar Wilde Bob Friedman is at rjf@maxwell.physics.purdue.edu -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- ---------------------------------------------------------- Date: Thu, 20 Jun 91 19:57:13 EDT From: faulkner@acsu.buffalo.edu (shane p faulkner) Subject: Alex speaking in concert I used to have a Power Windows audio boot where there was a major problem with the drum set when they tried to start Marathon. After about 40 seconds of silence Geddy says (paraphrased).. "We've got a slight problem with the drum kit... We'll be right with you...." After a little while longer Alex starts to play a little rock-a-billy/country thing that sounded quite good. When he finishes he says.. "whoa!!!! I bet you didn't know I could play that" Then Geddmeister starts jamming some funky bass. Alex joins in with a short little heavy metal solo, followed by massive feedback and delay, at which point he yells, "Whoa!!!!! My stomach!! Anybody know any good jokes??" By this point the problem is fixed and the show continues. Very funny to say the least!! [ I've heard a boot where Alex does a bit of a rock-a-billy/blues riff (with Geddy doing a bass line like "Tumblin' Tumbleweeds" behind him for a few seconds, then they jump into "By-Tor"... :rush-mgr ] ///////////////////////////////////////////////////////////////////////// / Shane P. Faulkner | A to B - Different degrees... / / University At Buffalo | - Rush / / V127L2QZ@UBVMS.BITNET | / / faulkner@acsu.buffalo.edu | Rush - Marillion - Kim Mitchell / ///////////////////////////////////////////////////////////////////////// ---------------------------------------------------------- From: smb1@Ra.MsState.Edu (Murdock) Subject: Subdivisions Live! Date: Thu, 20 Jun 91 23:36:05 CDT Howdy Ya'll.. (Southern Rush fan, cant'cha tell) Anyway, here in Atlanta for the Presto tour Alex did the 'Subdivision' part voice for the tune.. He just no-chalantly walked up to the mike and did his thing.. Everyone around heard him fine and it was nice and loud.. I do know that at other times during the show he would walk up to the mike and be saying things into it (during solos of his, and at times when it was just a musical interlude) and no one heard him.. Like as if the sound guys weren't ready for it and didn't turn him up.. From what I understand Alex at times will just walk up to the mike and start babbling stuff.. So I guess the sound crew dosn'et know what to expect from night to night during a tour.. -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- | Steve Brunton (aka Murdock) |"These bloody women sheltered from realities,| | smb1@msstate.edu | living in a sentimental dream world of their| | | own! If they'd face up to things they could | |-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-| help a man, help him enormously. While they | | Quote from: "On the Beach" | clung to the dream world they were just a | | by: Nevil Shute | bloody millstone round his neck." | -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- ---------------------------------------------------------- From: snarkboy@gnu.ai.mit.edu (Snarkboy!) Subject: You know you're a fan... Date: Fri, 21 Jun 91 3:52:50 WET DST You know you're a RUSH fan when you take a leisurely stroll and start seeing if the Oaks are shutting out the Maples... What do Arizona Rush fans do? "Uh... what's a Maple?" (Or are there Maples in Arizona?) -Snark! "Over my head, I hear music in the air!" ---------------------------------------------------------- Date: Fri, 21 Jun 1991 8:27:18 CDT From: MTS0028@VENUS.TAMU.EDU (Presto!) Subject: Sinatra Sucks Well, this is my first post to TNMS, I have been on for a while but lately I have been buried in a large stack of back issues (1-current) printed out and bound in nice red covers (I have yet to incscribe a Star in a circle on the cover) stacked on my floor. Upon going through back issues, I have noticed some points/comments that I will now post. The first two concern the Tour Date List... 1) Power Windows Tour: Incorrectly listed is a date for the Meadowlands, East Rutherford NJ Only one show was played there, I don't know offhand which date is the correct one though. 2) Hold Your Fire Tour: The Nov 6 date, again at the Meadowlands, did not take place. The show had originally been scheduled for this date and not the 7th but thanks to Frank Sinatra, the show was moved to the next day. It seems that Frank, who was to play there the night before, had a little problem. The truck with all the sheet music for his band never arrived. The Boyz, being the kind gents they are, agreed to bump their show so that Sinatra, whos set was already set up etc. could play. The next evening Rush performed to a barrage of signs...among the milder phrased of these were "SINATRA SUCKS". The Boyz came out, played a few songs, then gave their usual greeting and, following their typical sense of humor, Geddy announced to a packed arena of die hard RUSHians 'well, we didn't forget OUR sheet music' (not an exact quote)...needless to say, the crowd went WILD. [ Hey Jimmy, double-check this! :rush-mgr ] My next comment is about La Villa Strangiato... Back in High School I went to one of the Spanish teachers, who was also fluent in Italian, and asked him what this meant. He gave a loose translation as 'The Haunted House'. Though this fits the song very well IMHO, I also like Alex's statement that it means 'Weird City', that is kinda cool when you think about it. Lastly, the new album must definitely be coming out soon 'cause 101 KLOL out of Houston, which normally airs quite a bit of Rush, has been going all out lately, It seems like every time I turn it on I hear a Rush tune or some mention of Rush. This seems to be a promising sign...airplay usually increases right around the time of an album release. Well, that is all for now, I have been up all night and I have class in 2 hrs. then it is time to come home and PARTY. Later... * * * * * * * * PRESTO! * * * * * * * * * * * * ***** * * * *** *** * * * ---___ * 0 0 *___--- *----_ _----* ---------*----==(=)==----*-------- * - * ********************************* * . * * . . * * ...... ...... * * . . . * * . ' ' . * * * ************************ Mark Snedecor Texas A&M University ORQ: ...Six stars of the Northern Cross In mourning for their sister's loss In a final flash of glory Never more...to grace...the night ---------------------------------------------------------- Date: Fri, 21 Jun 91 9:24:41 EDT From: "Kenneth D. Renard" (COOP) <kdrenard@BRL.MIL> Subject: Neil's set and its miking Has anyone out there been bothered by the fact that Neil's set has been miked differently on the past few albums? With the invention of the multi-disc player it has become more evident. On Exit...Stage Left and earlier albums, Neil's set is miked to give the effect of watching the band on a stage, while later albums have the mikes turned 180 degrees as if you were sitting in Neil's seat. This is evident in big fills around the toms. [ high pitched toms on the right, low on the left and vice versa for more recent albums ] Personally, I prefer the later albums that put you in Neil's shoes (maybe my drumming background, eh?) I often find myself turning earphones around when listening to the earlier albums. Has this bothered anyone else, has anyone else noticed this, or should I just get a life? BTW: Thanks to all of you who called the Buhl Science Center in Pittsburgh to request a Rush laser show. They finally gave in. This sounds like a good excuse for a Rush party in Pittsburgh!! HINT, HINT!! Ken Renard kdrenard@brl.mil kdrenard@vms.cis.pitt.edu ---------------------------------------------------------- Date: Fri, 21 Jun 1991 9:44:54 CDT From: MTS0028@ZEUS.TAMU.EDU (Presto!) Subject: oops, one more thing (sorry) Forgot to include this in my last post... If this was in the appropriate section of the FAQL then I am totally blind, but in the "Who said/sang XXXXXX line(s)/backing vocals etc." section of the FAQL we might include, if anyone can answer my question, Who is it that says "One, Two, Buckle My Shoe" on the live version of _In The Mood_ from ATWAS? Thanks and sorry to clutter the digest with another damn header. [ I'll wager $.50 that it's Geddy ... :rush-mgr ] -Presto! (Mark Snedecor Texas A&M University) ---------------------------------------------------------- Subject: Longevity worries Date: Fri, 21 Jun 91 16:41:54 N From: Gordon MacKinney <gordon@hpbblb.bbn.hp.com> Hinano Akaka writes: >> ... about the longevity of Rush ... I'm hoping they'll be like >> what Genesis is like now -- doing projects with other people >> for a few years and then getting together when they have the >> time/enthusiasm ... and doing a project ... It's a hopeful picture, but I don't think it would work, and that worries me. Rush is the best example of band synergy I've ever seen. One can identify in most songs specific creative contributions that each person has made. I'd be afraid that this spark might be lost if they drifted into too much solo work. The comparison with Genesis actually supports my argument, I think. I was a Genesis fan long before Rush "entered my life," and I became disillusioned as the quality of Genesis' work diminished, coinciding with the proliferation of solo work. Sad story, in my view. Readers: Can solo projects damage the Rush "magic"? ---------------------------------------------------------- Subject: The two Dave Rubins Date: Fri, 21 Jun 91 9:39:22 PDT From: Doug Grumann <dougg@hpptc16.rose.hp.com> > From: drubin@prism.poly.edu (Dave Rubin) > Subject: Re: a bad album? > Date: Tue, 18 Jun 91 17:10:06 -0400 > > >From: Doug Grumann <dougg@hpptc16.rose.hp.com> > >... <stuff deleted> > feeling of that magical first take. I look forward to a RUSH album that is > more loose and spontaneous. With the level of musicianship and teamwork that > RUSH has achieved, I seriously doubt they are capable of recording a bad > album. Its been fun seeing posts lately to the mailing list from Dave Rubin. I worked with Dave Rubin for several years at HP. He's a good drummer, and has played intermittently with different Bay Area groups doing different kinds of music. He's into Rush, but mostly plays fusion-type stuff. He left HP around a year ago to work for SyBase. (drubin@sybase.com) Dave: Does this sound like you? No? Will the real Dave Rubin please stand up? I forwarded Dave Rubin's post to TNMS to Dave Rubin. Dave said that he didn't agree with Dave's opinions. Dave notes: ----- 1. It usually IS a bad thing to produce an album quickly. As any one that has EVER done ANY recording knows, it takes FOREVER to get even one song to the level of satisfaction that the players are looking for. When an album is done quickly this is most assuredly a sign of intense pressure from the record company to pump out the product and make MONEY. 2. Being a musician for the last 15 years (and growing up learning and playing Rush materiala and jazz fusion stuff) I have finally learned that great players and musicianship don't mean great music. You can't take monster players and put them in a band and automatically have "great" music. Great music is music that is written from the heart and soul of the writer regardless if they can play 64th note triplets or not. I've listened to alot of incredible players and bands over the years and some of my favorite music is made by guys who are quite a bit less then virtuoses. ----- Could the appearance of two Dave Rubins have anything to do with the last Twin Peaks episode? Maybe we should send some email to drubin@black.lodge "The one and only.." dougg. ---------------------------------------------------------- Date: Fri, 21 Jun 91 15:19:00 EST Subject: Re: Alex Speaks From: DSchmidt.311@postman.gsfc.nasa.gov! Does anyone else have any amusing stories of Alex saying/singing things, or doing things on stage during a show? It seems to be quite rare for him... Yes, he appears to sing during alot of songs, but he is almost inaudible. Dave Schmidt ---------------------------------------------------------- From: coleman@sundae10.dab.ge.com Subject: how many copies did each album sell? Date: Fri, 21 Jun 91 15:28:33 -0400 One thing I've always wondered is how many copies did Rush sell of each of their albums. I've seen polls where people vote for their favorite album, but how has the public voted with their money. I read somewhere that Rush has averaged ~1.5 million copies per album, but it would be great to see the breakdown of this. Anybody know this info. Richard Coleman G.E. Aerospace coleman@sunny.dab.ge.com ----------------------------------------------------------
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