The National Midnight Star #143

Errors-To: rush-request@syrinx.umd.edu Reply-To: rush@syrinx.umd.edu Sender: rush@syrinx.umd.edu Precedence: bulk From: rush@syrinx.umd.edu To: rush_mailing_list Subject: 01/07/91 - The National Midnight Star #143
** ____ __ ___ ____ ___ ___ ** ** / /_/ /_ /\ / /__/ / / / / /\ / /__/ / ** ** / / / /__ / \/ / / / / /__/ / \/ / / /___ ** ** ** ** __ ___ ____ ** ** /\ /\ / / \ /\ / / / _ /__/ / ** ** / \/ \ / /___/ / \/ / /___/ / / / ** ** ** ** ____ ____ ___ ___ ** ** /__ / /__/ /__/ ** ** ____/ / / / / \ ** The National Midnight Star, Number 143 Monday, 7 January 1991 Today's Topics: Re: 01/04/91 - The National Midnight Star #142 Re: 01/04/91 - The National Midnight Star #142 Rush on Radio RUSH Modern Drummer Essay Contest/Neil's Education Rush CD quality, laserium Alex's solos ---------------------------------------------------------- Date: Fri, 4 Jan 91 10:44:09 EST From: warsaw@ncbi.nlm.nih.gov (Barry A. Warsaw) Subject: Re: 01/04/91 - The National Midnight Star #142 Paul> When I queried that station as to why Rush was rarely (if Paul> ever) heard, the jock replied that Rush "isn't classic Paul> enough." Harrummph. Hey, this is not a bad thing! What this translates to is "they're all still alive and still writing compelling music" which of course, is NOT the kind of thing that should ever be heard on a "classic rock" station. The jock also probably meant to say "they've never done a reunion tour and they won't resign themselves to rock dinosaur status." I'd say he was paying a compliment to Rush. 1/2 :-), and hopefully no offense to any CR radio fans. -B ---------------------------------------------------------- Date: Fri, 4 Jan 91 11:32 EST From: THOMPS00%SNYBUFVA.BITNET@CORNELLC.cit.cornell.edu Subject: Re: 01/04/91 - The National Midnight Star #142 Just wondering...what is the "p/g"album? Beeker [ Shorthand for _Grace Under Pressure_ : "G" under "P". :rush-mgr ] ---------------------------------------------------------- From: buckeye!jes@uunet.UU.NET Subject: Rush on Radio Date: Fri, 4 Jan 91 16:52:58 CST In the Jan. 4 edition of TNMS, a reader from Atlanta talks about the lack of Rush airplay on Atlanta's classic rock station, and wonders if the same is true in the North. Well, when I was in Ohio the last two weeks, I heard Rush only three times on WGTR in Gallipolis, OH, which claims to be classic rock, and on WKLC in Huntington, WV, which is AOR. And on WGTR's "Top 100 of All Time", Rush didn't appear at all! When I lived in Columbus, Q-FM-96 would play Rush occasionally, but they seemed to only play the same few tracks. Here in Huntsville, WKQD Power 93 plays a good amount of Rush, including tracks that I had never heard before on radio anywhere. Also, WTAK AM 1000 plays a fair amount of Rush (when they're on the air, which is only about 10 hours a day this time of year). I would say that airplay depends mostly on the attitude of the station, and not on what part of the country it is in. I think that with many stations, when they become successful, they forget about serving the public, and serve only themselves. I think that the struggling stations are more likely to listen to their listeners. Power 93 is a station that has only been playing rock for about three months now, after finishing dead last in the ratings as a Top 40 station. -----------------------------------------|-------------------------------------- John E. Simpson, Jr. | Node: buckeye Software Analyst | Ethernet: 134b2.08-00-36-2b-d5-00 Intergraph Corporation, Mailstop IW1511 | Internet: 129.135.217.245 Huntsville, AL 35894-0001 | E-Mail: (205) 730-ROKK or (205) 730-ROLL | uunet!ingr!b15!buckeye!jes (UUCP) -----------------------------------------| jes@buckeye.b15.ingr.com (Internet) -------------------------------------------------------------------------------- "Keep on rockin' in the free world." -- Neil Young ---------------------------------------------------------- Date: Fri, 4 Jan 91 18:54:32 -0500 From: supriya (Supriya Goyal) Subject: RUSH Hi there, I hope you all enjoyed the holidays and listened to lots of RUSH. Someone once told me that each letter in the name RUSH stood for something but didn't know what they stood for. Does anyone know if this is true or have any idea what they stand for? I made up my own version just for fun. It is Relational Underlying Subliminal Hysteria. Just a thought! I had to build a bridge out of toothpicks for Physics and I named it Grace Under Pressure. Unfortunately, only one person in the entire class knew where it came from. I had to explain to the rest of them. Catch you later. --Supriya Z. Goyal BTW, I got the Led Zeppelin Anthology for Christmas. It sounds awesome!!! "Unicorns aren't mythical, Virgins are." ---------------------------------------------------------- Date: Fri, 4 Jan 91 13:46:04 -0600 From: letni!digi!theruska@utacfd.utarl.edu (Tom Heruska) Subject: Modern Drummer Essay Contest/Neil's Education Fellow Rush Fans, A snippet of an article by Neil from Modern Drummer: > Some of you may recall that a few years ago I gave away a nice Tama kit >by means of an essay contest here in MD. This worked out quite well, as I >was able to choose a deserving winner by way of his words, and he in turn >was generous enough to pass his drums along to the person I chose as >runner-up. The only trouble was that I had to read 4,625 essays, which took >up rather a large portion of my holidays! It was more than I bargained for, >I'd have to say, though I'm glad I did it -- once! Does anyone have a copy of the winning essay? I would love to read it! Also, any information on the winner and runner-up (as well as the runner-up's essay) would be appreciated. I would think that this information would be in an old Modern Drummer somewhere, but I thought I would ask all of you if you had it before I spend a couple of hours digging it up in the library. Also, did we ever resolve the question of Neil's education? I have always thought that "the professor on the drumkit" had at least a college degree. Does anyone know for sure? Thanks, Tom Heruska ---------------------------------------------------------- Date: Sat, 5 Jan 91 11:11:12 PST From: spike@d31mf0.Stanford.EDU (John T. Fourkas) Subject: Rush CD quality, laserium For those of you who have commented before about the poor quality of the Moving Pictures CD, among others, here's a snip from an interview with Bill Levenson (who does Polygram reissues) in the latest Audio Magazine: Q: There was a period when many record companies had to go back and redo their Compact Discs. Columbia's initial stab at Bruce Springsteen's _Born to Run_ comes to mind, as does Atlantic's first run-through of the Rolling Stones' catalog.... A: We had some of those too. Eric Clapton's _461 Ocean Boulevard_ was one, _Moving Pictures_ by Rush another, and Cream's _Disraeli Gears_ was about the worst. The early PolyGram CDs were typically handled out of Germany, and they didn't have the basic premise down that you need a master tape. They were using copies of the master tape. And think about it: you're a German guy and you've got to get 10 discs out a month, you don't really know where the tapes are stored, so you go to your tape library and see something that says "master" on it. Then you trnasfer it to disc. What was occuring was that you were winding up sometimes with a fifth-generation tape. He goes on to say that the _Disraeli Gears_ and _461 Ocean Boulevard_ CDs you can buy now are about a "zillion" times better than the ones you could have bought seven years ago. I know a lot of people (including myself) have complained about the MP CD, not only for the sound quality but also for the start of songs being cut off and so on. I bought mine when it was first released, so I don't know if these problems have been corrected or not. Has anyone out there compared old and new versions of this CD? I'd happily buy a new one if the problems were fixed.... [Off the subject a little bit, in the same issue is reviewed a brand new, recording DAT Walkman that Sony has just put out. It costs $850 list, and its batteries only last one hour. You would probably have to build a small outboard microphone preamp to go with it also, but the days of consistently phenomenal concert bootlegs can't be far off....] Also, if the Rush laserium show is stiull playing in San Francisco, would Bay Area NMS subscribers be interested in getting together there say next Saturday (the 12th) to see the show? Inter- ested parties can send me mail and we can fix a day and showtime. --John spike%d31mf0@fosythe.stanford.edu ---------------------------------------------------------- Date: Sun, 6 Jan 91 16:48:49 MST From: fpeabody@isis.cs.du.edu (Fred Peabody) Subject: Alex's solos I play guitar as a hobby and Alex Lifeson is among my favorite guitarists. I was wondering if more experienced/knowledgeable people could shed some light on Alex's solos, most notably in the scale/mode areas. I just need to know what modes Alex uses on his all time greatest solos. We're talking Freewill, Tom Sawyer, Analog Kid, Digital Man, Kid Gloves, Turn the Page, etc. Please fill free to fill me in on the details of any other solos of his either! Thanks... [FP] [An Alias] ----------------------------------------------------------
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