The National Midnight Star #75

Errors-To: rush@syrinx.umd.edu Reply-To: rush@syrinx.umd.edu Sender: rush@syrinx.umd.edu Precedence: bulk From: rush@syrinx.umd.edu To: rush_mailing_list Subject: RUSH Fans Digest of 10/19/90 (#75)
RUSH Fans Digest, Number 75 Friday, 19 October 1990 Today's Topics: rush rasters Neil's vacation Good day, eh! Re: RUSH Fans Digest of 10/18/90 (#73) Alex's Guitars Award Re: RUSH Fans Digest of 10/17/90 (#71) Musical Orgasm while driving ---------------------------------------------------------- From: djbarans@eos.ncsu.edu Subject: rush rasters Date: Thu, 18 Oct 90 13:52:27 EDT I can't get these rasters and I really want them. I can get to the ftp site, but I can't use the userid "anonymous". I use my userid, and it'll ask me for a password, but none of the passwords I've tried work. If you would, could you send me your files or tell me another way I can get these rasters? Thanks a lot. David J. Baranski ---------------------------------------------------------- Date: Thu, 18 Oct 90 11:08:26 -0700 From: ddelany@polyslo.CalPoly.EDU (Dan Delany) Subject: Neil's vacation He's back from his vacation. I know, because I received a postcard from him on Monday. ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: : Dan Delany is : "Tough times demand tough hearts-- : : ddelany@polyslo.calpoly.edu : Tough times demand tough talk!" : ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: ---------------------------------------------------------- Date: Thu, 18 Oct 90 17:27:07 -0400 From: "Michael Rashas" <mr0@beach.cis.ufl.edu> Subject: Good day, eh! Greetings, all, I'm new to the Digest, but, having looked at the past few issues, I can tell I'll probably be a frequent reader/poster. I've been a fan for about six years, and a practicing musicians for four of those. My main instrument is bass, but I also play guitar and keyboards. I'm currently in a band heavily influenced by Rush, where I have to split my time between bass and keyboards. I can play just about any Rush song/bass line, with a few notable exceptions, which I kind of fudge, such as the bass solos to "La Villa Strangiato" and "Show Don't Tell," to name just a few. There are obviously quite a few musicians on this forum, and I look forward to corresponding with you all. In response to Jason Bold's query about the YYZ lick: If you are referring to the guitar/bass/drums unison lick after the intro, it goes as follows (the first two notes are 32nd, the rest are 16th): C C C# D# E F# G# A# B C# D# E D# C C# Later daze, Michael Rashas mr0@beach.cis.ufl.edu cygnus%oak.decnet@pine.circa.ufl.edu ---------------------------------------------------------- From: bold%astroatc.UUCP@cs.wisc.edu (Jeff Beck) Subject: Re: RUSH Fans Digest of 10/18/90 (#73) Date: Thu, 18 Oct 90 16:22:10 CDT > From: yackob@eeserv.ee.umanitoba.ca > Date: 17 Oct 90 13:16 -0500 > Subject: guitar for "Spirit of Radio" > By the way, I don't think your explanation of "what notes are > played" was very clear. Did you mean the sequence is > F#, E, D, E, A, E, D, E, > F#, E, D, E, G#, F#, E, D ? > > This is how I think it is played. Any dissent? Agreement? I must apologize. My presentation was pretty poor. Anyway, here is how I play it in tab: _______ -----2--0-----0--5--0-----0---|-----2--0-----4--2--0-----0--| -----------3-----------3------|-----------3-----------3-----| Every note is picked, except the 4--2--0 combination shown above with the lines over it. Any comments. I have played this song for years, which is why I was confused when I saw him play it. -- ****************************************************************************** * Jason Bold - Madison,WI= [(rutgers||ames)!uwvax||att!nicmad]!astroatc!bold * * "A strawberry mind, a body that's built for two" - Michael Hedges * ****************************************************************************** ---------------------------------------------------------- Date: THU OCT 18, 1990 17.39.37 EST From: "DAVID ROSSING" <DAR0@LEHIGH> Subject: Alex's Guitars When I saw Rush in Philadelphia this year (late April), Alex was using his Signature guitars like he had on the Hold Your Fire Tour. He used both his black and white model's and changed between them frequantly. Then I saw a video of them in Toronto. This was I think on May 17, and Alex was using what looked like a Paul Reed Smith guitar for the whole show. It was a sort blackish sunburst. I had figured that maybe Alex had changed the guitars he was using. A friend of mine had seen them at Alpine Valley in mid-June, however, and said that Alex was using the same Signature guitars as the ones on the Show of Hands video. I was wondering if anybody knows the reason of the switch, and if anyone else had seen him using this other guitar elsewhere. Dave Rossing ORQ: "Alex Lifeson on the Plasitic Guitar" -Geddy (beginning of Broon's Bane on Signal's Tour) ---------------------------------------------------------- Date: Thu, 18 Oct 90 17:57:51 EDT From: warsaw@nlm.nih.gov (Barry A. Warsaw) Subject: Award >>>>> "Ben" == ragunton@water.llnl.gov (Ben Ragunton) No question, Ben. You get the "Best Signature in a Real Long Time" Award for: |^^^^^^| | | | (o)(o) _____________________ @ _) _ / Don't turn your | | ,___| /__ back and slam the | | / \ door on me! | /___\ \____________________| / \ But shouldn't the quote balloon read: "Don't turn your back and slam the door on me, man!" or better yet, considering the subjects of this mailing list: "Don't turn your back and slam the door on me, eh!" :-) :-) :-) ---------------------------------------------------------- Date: Thu, 18 Oct 90 23:53 EDT From: jms@vanth.UUCP (Jim Shaffer) Subject: Re: RUSH Fans Digest of 10/17/90 (#71) > RUSH Fans Digest, Number 71 > >Date: Tue, 16 Oct 90 10:42:42 EDT >From: William_A._MacDonald@mts.rpi.edu >Subject: Rock Fantasy > > Greetings. If anyone can give me some detailed information on the comic >book series that Jimmy Shaffer (sp?) talked about, it would be very >appreciated. I tried posting Jimmy, but I couldn't get through. First the unpleasant business -- 'jms@vanth.uucp' is guaranteed to fail right now because vanth isn't in the uucp map yet. As a matter of fact I may have gotten my entry in too late for this month's version also. The uucp paths in my signature are guaranteed to work of course, and the domain address should work for any system which knows the .commodore.com domain. I don't have any information on the Rock Fantasy series right now. I'll have to get it from my brother, who collects comics, and post it when I do. Hopefully this weekend. Owing partially to the fact that I'm posting this at 12:18 AM, I can't even remember the publisher's name. :-) They're not a mainstream publisher; you'll have to visit a comics shop rather than a newsstand if you want to find it. I don't know if they accept orders by mail, but I'll try to find out. I also don't know when the Rush issue is due. It was second on the list for 1991 but I'm not 100% certain the list was meant to be in order. By the way, there's also another, unrelated, series of rock comics which consist of unauthorized biographies. (You may have heard of them on MTV in connection with a pop "band" whose very name I'm afraid to mention.) These guys have never covered Rush, and I'm starting to wonder if we should lobby them to correct this oversight. :-) ---------- paper : James Shaffer Jr., 37 Brook Street, Montgomery, PA 17752 uucp : uunet!cbmvax!amix!vanth!jms (or) rutgers!cbmvax!amix!vanth!jms domain: jms%vanth@amix.commodore.com CompuServe: 72750,2335 quote : ATTENTION ALL PLANETS OF THE SOLAR FEDERATION: WE HAVE ASSUMED CONTROL ---------------------------------------------------------- Subject: Musical Orgasm while driving Date: Fri, 19 Oct 90 2:47:03 PDT From: todd@ivucsb.sba.ca.us (Todd Day) A Nice Really Early Morning Drive ("Scars") by Todd Day It's way past midnight. I'm on the road alone, no one but me, both in the car and on the road. I'm driving back to Santa Barbara from the Bay Area on 101 in my red Eagle Talon Tsi AWD (the closest I'm ever going to get to owning a Barchetta). Fairly boring drive through the Santa Maria and Buellton area, as these are heavily patrolled and I'm trying to keep my driving record intact. Having just passed Andersen's Split Pea Soup restaurant, I'm fairly certain the road ahead will be clear of the State of California revenue enhancement vehicles, at least until just past the Gaviota Tunnel area. Ahhhh... the Gaviota Tunnel area. The only part of 101 worth risking a ticket over. Actually, in spite of the fact that the tunnel spans only the northbound section of 101, the southbound lanes are much more fun to travel. Some freak of nature created by Mother Earth, Mother Nature, and CalTrans. Unfortunately, this road (like most US highways) was designed for 70MPH travel. Therefore, to wring the most pleasure from it, one must travel at a minimum of 80MPH. This requires concentration, and one must prepare mentally. In a car with a CD player and an 80 watt sound system, this means preparing musically as well. With this in mind, I flip through my thick stack of Rush CDs. Lessee... "Red Barchetta"? Too obvious. "Lessons"? Nah... that's something to end a journey with... save that for when I get to Goleta. "Territories"? "The Rhythm Method"? Good driving songs, but they don't quite fit my mood. My mood. What was I feeling? I'm out here all alone on a moonless but perfectly clear night. Sorta lonely, but feeling very alive. I sorta... -- I get this feeling. That's it! I pull _Presto_ out of its jewel box, shove it in the CD player, wait for it to spin up, and punch the index button four times. Before Geddy gets his first "Hey!" out, I downshift to fourth. By the second "Hey!", the pedal is mashed into the carpet. Right after the third "Hey!", my turbo gauge shows twelve pounds of boost and the tach is racing towards redline. Before the bass line repeats, I extinguish all dash lights and turn my driving lights on. It's just Rush, the road, the car, and me. As I race down the mountain, every curve brings a new verse. Steep downhills flow with each repitition of the chorus. Musical nirvana! (Have I found Xanadu?) The best is yet to come. It seems I've timed the 45MPH curves to coincide with the final verse. To maintain my speed, I use both lanes to cut back and forth. Absolutely incredible! The song ends just as I pass the last of the curves and the northbound tunnel. I set my cruise control to exactly 61MPH just as I spot a CHP waiting at the exit of the rest stop. Geddy begins the next song, "If I could wave my magic wand..." Hmmmm... -- Todd Day | todd@ivucsb.sba.ca.us | ucsbcsl!ivucsb!todd Pleasure leaves a fingerprint, As surely as mortal pain In memories they resonate, And echo back again. -- Rush ----------------------------------------------------------
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