The National Midnight Star #36

Errors-To: rush@syrinx.umd.edu Reply-To: rush@syrinx.umd.edu Sender: rush@syrinx.umd.edu Precedence: bulk From: rush@syrinx.umd.edu To: rush-list-all Subject: RUSH Fans Digest of 08/22/90 (#36)
RUSH Fans Digest, Number 36 Wednesday, 22 August 1990 Today's Topics: Rush list gif files "Visions" biography and "Rocinante" Presto Visions book Rush tour schedules ... ... to be found within a song. "Hear'n Aid" ---------------------------------------------------------- From: Chris Schiller <chris@hpsctcd.hp.com> Subject: Rush list Date: Tue, 21 Aug 90 10:56:40 PDT OK, let's see if we can make some meaning out of nothing or nothing out of meaning. A little data compiled from the liners: Album Production Times for Later Rush Albums Hemispheres: Jun-Jul 78 2 months Permanent Waves: Sep-Oct 79 2 months Moving Pictures: Oct-Nov 80 2 months Signals: April-July 82 4 months Grace Under Pressure: Nov-March 84 5 months Power Windows: ?? ?? Hold Your Fire: Jan-Apr 87 4 months Presto: Jun-Aug 89 3 months I'll ask the first obvious questions. Why, if they have religeously given the production times on all albums, not given them for POW? Forgot? Intentional? The later albums have taken longer. Do they have more money for studio time? Taking more time to do it more perfect? Overproducing? How about this: If you spent _5 MONTHS_ in mid-winter producing an album while a close friend died and while you were trying to strike off into a new style wouldn't you come up with something like G/P? Does the shortened time for Presto correlate to the general feeling the Presto is a more "back to the roots" or "rocking" type of album. (Dont ask me to provide poll results to prove this, I have been reading the list for 6 months, and that is the impression I have seen in the posters. CAUTION: SUBJECTIVE OPINION CONTAINED HERE). One last one. Signals to me was an album about leaving or losing...Analog Kid...Losing It... I always thought it might be produced in the fall. I never bothered to look. ORQ: His mother starts to call him as a hawk gies soaring by The boy pulls down his baseball cap and covers up his eyes Chris Schiller uucp: hplabs!hpscdc!hpsctcd!chris arpanet: chris%hpsctcd@hplabs.hp.com ---------------------------------------------------------- Date: Tue, 21 Aug 90 14:10:44 EDT From: nth@cs.brown.edu (Nathan Huang) Subject: gif files Awhile ago, someone posted that he had several color gif files of various Rush images. Are you still out there? I'm stil interested. Please get in contact! Nate ---------------------------------------------------------- Date: Tue, 21 Aug 90 12:37:52 -0700 From: David Conley <dmc@u.washington.edu> Subject: "Visions" biography and "Rocinante" In response to Jeremy Bennett's inquiry in the 8/21 digest ,"Rush Visions: The Official Biography" is the most recent book on the band. It was written by Bill "B-man" Banasiewicz (I probably spelled this wrong... anyway it is pronounced Bana-she-vitz I think), published by Omnibus Press in 1988. The book isn't half bad, the only problem I had is that it was written by a rabid fan and IMHO has lots of inconsistencies and holes. It answers lots of good questions but left me with more questions on my mind than before I read it. For instance it said that each of the guys has a nickname (Dirk for Geddy, Lerxst for Alex and Pratt for Neil) but doesn't explain how they got them. Anyway it is most certainly required reading for folks on this list. I have not read/heard of the other 2 books mentioned by our Rush manager, so any clues on this subject would be appreciated. I tried for months to get "Visions" through local bookstores, to no avail. You should join the Backstage Club and order through them (the cost is $16.95 plus shipping) and you'll get it in a couple of weeks. One other item now that we are on the subject of Visions. There were some postings last week inquiring about the name "Rocinante" mentioned in the Cygnus X-1 series. Visions mentions that Rocinante was also the name of the central character's motor home in Steinbeck's book "Travels with Charlie". I never read this book, but I have to laugh when I think of Geddy "wheeling through the galaxy" in a Winnebago. Knowing Neil's sense of humor and double meanings in his lyrics I wouldn't doubt that Rocinante may have several explanations. Cheers, Dave ---------------------------------------------------------- Date: Tue, 21 Aug 90 09:38:43 hst From: Hinano Akaka <bigtuna!hinano@uhccux.uhcc.Hawaii.Edu> Subject: Presto Regarding the album cover, all I know is that Hugh Syme sent the band a bunch of prints, they noticed the one with the rabbits on it and thought it perfect for the album. Their humour, as always, presents itself in subtle ways...! Knowing Hugh Syme, he's probably stuck a whole bunch of symbolism in the cover--I haven't taken the time to look for them (then again, there *is* Neil's watch...(groan)), but you could be right about the number of rabbits equaling the studio albums. Personally, I think the rabbit in the hat is so cute...however, I'd always assumed it was the illustration of the term "presto". About the name of the album, it's been around for awhile. Neil had elected to call "A Show of Hands" "Presto", instead. He lost out by democratic process to Alex and Geddy. When the band started out on their writing process, Neil had come up with the preliminary lyrics for the song, "Presto" (he came up with the title at the same time) and realized they at least had an album title to work with as well (this is in the tradition of "Fly By Night" and "A Farewell to Kings", though, I don't know if the title tracks of those albums came first, as well). I am unsure if Neil's choice of title for the song, and subsequently, the album have any bearing on not having had his way with the live album (sly devil!)! As for the album itself, no, the band wasn't under pressure to get the album made. Frankly, the pressure was on the record label to make sure the album was sufficiently marketed and promoted. Makes for a nice change, eh? In regards to Anagram, the whole thing is an anagram! So much so, that when Neil brought Alex and Ged the lyrics, their reaction was, "What the hell is this?"! According to Neil, he just did it for fun...if I'm not mistaken, is "Anagram (for Mongo)" the only lyrics Neil has written (for Rush, anyway--has he ever written lyrics for anyon else?) that doesn't have deep, hidden, double-sided meanings? Thanx to Roger Swanson, also, for posting "A Nice Morning Drive". "You feel there's something calling you, you're wanting to return, to where the misty mountains rise and friendly fires burn." Puanani Akaka ---------------------------------------------------------- Date: 21 Aug 90 15:18 -0500 Subject: Visions book From: yackob@eeserv.ee.umanitoba.ca! Can anyone supply the author, publisher, and (most importantly!) the ISBN for this book? How much did it cost you? Is it worth it? Should I bother to special-order it? -- Kerry Yackoboski <yackob@eeserv.ee.umanitoba.ca> The Scanning Tunneling Microscopy Laboratory in the Cellar U of Manitoba, Winnipeg, Canada ---------------------------------------------------------- Date: Tue, 21 Aug 90 13:13 EDT From: <SIMON%HUXTAL.BITNET@mitvma.mit.edu> Subject: Rush tour schedules ... I don't remember a discussion on this previously (but I could be wrong), so here it goes ... Does anyone have a compilation of Rush concert dates ? I have the last tour (thanks to the net) but I mean, a more thorough listing, like a Rush-base. One would seem usefull, particularly for identifying the dates of bootleg or broadcast concert. Do any of the Rush books have listing ? Does anyone have one on-line ? (if so, please Email me !). If none exists, I could think of a few good sources of info, espcially when dealing with a large group of people (such as this net): ticket stubs, concert shirts and programs, Rolling Stone magazine tour listings, ?, ... Feelings on this issue please ! I would be willing to compile data for the benefit of the net ... take care, ejs --------------------------------------------------------------------- | Eric J. Simon Harvard Univerity HU GSAS BMCDB G2 | | SIMON@HUXTAL.BITNET, SIMON@XTAL0.HARVARD.EDU | --------------------------------------------------------------------- ---------------------------------------------------------- Date: 21 Aug 90 19:06:50 PDT (Tuesday) Subject: ... to be found within a song. From: "Brad_Armstrong.WBST129"@Xerox.COM Thanks for all the responses to my question about Rush changing through the years, it's given me some more food for thought about that topic. I liked, especially Digital Man's disjointed response, it wasn't so disjointed as he'd like us to believe. To those who wrote requesting the Rush lyric copies, give me some time, things are changing fast here. I may even have a slightly modified net address soon. Plus ce change ... Thanks to Roger Swanson for posting A Nice Morning Drive, it was worth the typing. gordon@stars.reston.unisys.com made several comments about the symbolism in the Presto album. I think he's working too hard looking at details in this case. I don't think all the record company related references are all that likely. He also writes: > As mentioned in this list before (Digest #24), Lerxst is > an anagram for Alex. [ I believe the word intended is 'pseudonym' ? :rush-mgr ] Is this true? It doesn't fit my definition of an anagram. Puanani mentions the end of Rush as a band, and talks about them being close to splitting up while making Presto. What does anyone know about them having trouble getting along during this production, or any other? Kerry wrote: > In yesterday's episode, Justin D. Bukowski said... > > <begin quote> > OK. I've finally found the opportunity to speak out about > something that's been bothering me: > > "Image is just an eye-less game." > > No! Game is an eye-less image! > > Whew! What a relief. > <end quote> > > Sorry, you've missed the meaning. Five, less two, is three. > Similarly, "Image", less "game", is "I" (or "eye", with poetic licence.) > Subtle differences in reading the line make a great difference in the > meaning. Doesn't this logic give I+(-MAGE) ? The only thing I can see here is maybe if you write it I minus MAGE, or I-MAGE, which looks like the word image, but makes no sense. I'll have to check the song out more carefully, but it looks like a case of poetic license or poetic senility or some such. Electronic communication, making your life better; Magician. ---- Brad Armstrong Lion.Wbst129@Xerox.COM Xerox MB Lab, Webster, NY W: (716) 422-9688 ... everybody got to elevate from the norm. - N. Peart >None of these opinions has anything to do with anyone but me.< ---------------------------------------------------------- Subject: "Hear'n Aid" Date: Tue, 21 Aug 90 16:04:43 CDT From: Keith E. Ford <ingr!fordke@uunet.UU.NET> A fellow here went to a local tape store to order "RUSH" and discovered an entry titled "Hear'n Aid". He was looking for some information about this, but I could not help him. Anybody? [ This is a new one for me! PLEASE post if you have info!! Do you know if it was an album, CD, etc.? :rush-mgr ] -- | ...!uunet!ingr!fordke | Micro Magic BBS (1:373/12 - 205/830-2362) | fordke@ingr.com | IBM/Apple2/Trackstar/Echoes/OBUL/ODIN | "and the Trees are all kept equal by hatchet, axe, and saw." -Rush ----------------------------------------------------------
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